Answer:
Examples of the demotic language previously appear on rolls of papyrus.
Explanation:
The Rosetta Stone is a fragment of a stele, which is a stone intended for inscriptions, which could be governmental or religious, and was widely used in ancient Egypt.
In this irregularly shaped stone, it contained fragments of passages written in three different languages: Greek, Egyptian hieroglyphics and Egyptian Demotic. Hieroglyphs are ancient Egyptian writings, difficult to translate and demotic is a simpler, popular version of hieroglyphics. Demotic language had already appeared in ancient papyrus, which was an Egyptian writing material, so based on this, scholars came to the conclusion that demotic language was related to the Egyptian language.
Answer:
A pest is an insect that flies around to livestock, people, and other animals. They can be known to give diseases if they bite any living thing, but they can be cured.
A is the answer
Hope this helps
1. Even though my mistake was a mistake, it created something good, if it werent for the bad things in life like mistake's. Then there would not be great moments.
2. If there was no such thing as bad, then there would no such thing as good.they walk hand in hand.
Answer:
MAMA MO BLUE HAHAHAHHA LOL
Explanation:
AWNSER
Abstract
Johnson disliked Swift but had an intense self-implicating interest in him, sharing much of his social, psychological and devotional outlook, and exhibiting a wide and life-long reading of his works. He found Swift's irony, and satire in general, unsympathetic, but wrote in a manner deeply shaped by Swift and other Augustan satirists. His relationship with Hester Thrale included a self-conscious and often conflicted awareness of Swift's friendship with Stella. His novel Rasselas shares with Swift's 'Digression on Madness' a strikingly similar diagnosis of humanity's mental constitution, but draws teasingly opposite and sometimes adversarial consequences from it. Johnson's antipathies coexist with a reluctant sense of likeness, a combination implicit in the forthrightly evasive and wayward judgments of the 'Life of Swift', from which the main examples are drawn. Their nevertheless compelling power (like that of F. R. Leavis's very different but equally