Some tips to help you write a short and simple script of the book <em>Animal Farm </em>based on a children's play<em> </em>is given below:
- Show the original theme of the book
- Make use of children's friendly language and diction
- Make sure your adaptation shows the moral lessons
- Some of the moral lessons could include the usefulness of power and how not to abuse it, how to care for others, etc
<h3>What is a Script?</h3>
This refers to the path through which a story would develop and this is a critical part of the plot of a story as it is adapted for a play/drama in a literary sense.
Hence, we can see that some of the moral lessons of the book <em>Animal Farm </em>are:
- Greed should be kept in check
- Power corrupts
- There should be contentment, etc
Read more about <em>Animal Farm </em>here:
brainly.com/question/11752825
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Answer:
Sure :D
Explanation:
When I was 14,
I had a bad friend, he made me feel extremely nervous when around him.
no one knew about the things he would say or do to me.
eventually, i talked to my older sister about it. She was furious about how this boy had treated me. She got ahold of his phone number and blew up at him. it was karma in the greatest form. I've worked through the slight trauma he's left me with. but it was a very nerve racking experience
Answer:
Explanation:
were you scared you were going to get caught?
how was life with your son after you got him?
what was the biggest struggle?
why did you feel compelled to take him in?
Answer:
Seen against the background of the millennia, the fall of the Roman Empire was so commonplace an event that it is almost surprising that so much ink has been spilled in the attempt to explain it. The Visigoths were merely one among the peoples who had been dislodged from the steppe in the usual fashion. They and others, unable to crack the defenses of Sasanian Persia or of the Roman Empire in the East (though it was a near thing), probed farther west and at length found the point of weakness they were seeking on the Alps and the Rhine. The complicated political relationship existing between France and England in the first half of the 14th century ultimately derived from the position of William the Conqueror, the first sovereign ruler of England who also held fiefs on the continent of Europe as a vassal of the French king. The natural alarm caused to the Capetian kings by their overmighty vassals, the dukes of Normandy, who were also kings of England, was greatly increased in the 1150s. Henry Plantagenet, already duke of Normandy (1150) and count of Anjou (1151), became not only duke of Aquitaine in 1152—by right of his wife, Eleanor of Aquitaine, recently divorced from Louis VII of France—but also king of England, as Henry II, in 1154. A fresh complication was introduced when Charles IV died on February 1, 1328, leaving no male heir. Since there existed at that time no definitive rule about the succession to the French crown in such circumstances, it was left to an assembly of magnates to decide who ought to be the new king. The two principal claimants were Edward III of England, who derived his claim through his mother, Isabella, sister of Charles IV, and Philip, count of Valois, son of Philip IV’s brother Charles.
