Few artists can boast having changed the course of art history in the way that Marcel Duchamp did. By challenging the very notion of what is art, his first "readymades" sent shock waves across the art world that can still be felt today. Duchamp's ongoing preoccupation with the mechanisms of desire and human sexuality as well as his fondness for wordplay aligns his work with that of Surrealists<span>, although he steadfastly refused to be affiliated with any specific artistic movement </span>per se<span>. In his insistence that art should be driven by ideas above all, Duchamp is generally considered to be the father of </span>Conceptual art<span>. His refusal to follow a conventional artistic path, matched only by a horror of repetition which accounts for the relatively small number of works Duchamp produced in the span of his short career, ultimately led to his withdrawal from the art world. In later years, Duchamp famously spent his time playing chess, even as he labored away in secret at his last enigmatic masterpiece, which was only unveiled after his death.</span>
Among Monteverdi's innovations in Baroque Opera was his emphasis on prima prattica = the strict adherence to the old, academic rules of writing Opera and seconda prattica = the idea that the music supports the emotion and events of the plot.
<h3>What was Monteverdi view?</h3>
Monteverdi is known to be a man that has been criticized based on his music and his distinctions between old and new musical writing.
Monteverdi's believed that in prima prattica as a music that had to follow its own rules and seen with a lot of verbal text. In Seconda pratica- Monteverdis explained that this music serves to heighten the influence and rhetorical owner of the word.
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They discuss what the characters should wear, such as clothing and make-up, and they read through the screenplay. They're most likely discussing the schedule.
