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Naddik [55]
2 years ago
13

Among Monteverdi's innovations in Baroque Opera was his emphasis on A) only using religious stories for his operas. B) prima pra

ttica = the strict adherence to the old, academic rules of writing Opera. C) seconda prattica = the idea that the music supports the emotion and events of the plot.
Arts
1 answer:
Eduardwww [97]2 years ago
4 0

Among Monteverdi's innovations in Baroque Opera was his emphasis on prima prattica = the strict adherence to the old, academic rules of writing Opera and  seconda prattica = the idea that the music supports the emotion and events of the plot.

<h3>What was Monteverdi  view?</h3>

Monteverdi is known to be a man that has been criticized based on his music and his distinctions between old and new musical writing.

Monteverdi's believed that in  prima prattica as a music that had to follow its own rules and seen with a lot of verbal text. In Seconda pratica- Monteverdis explained that this  music serves to heighten the influence and rhetorical owner of the word.

Learn more about  Monteverdi's innovations from

brainly.com/question/1172976

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luda_lava [24]

Answer:

On God

Explanation:

We needa chill 2021 Coming folks getting Lame.

8 0
2 years ago
Instrumental music became as important as vocal music for the first time in the ____________ period.
Svetradugi [14.3K]
Late baroque period.
8 0
3 years ago
Read 2 more answers
Please Help! 30 points and a Brainiest!
Wewaii [24]
1) <span>There are no records of Antonio Stradivari's birth, but based on the documentation of his age that accompanied his signature on some of the instruments he created late in his life, it is assumed that he was born in 1644. There is also little known about his youth. He was probably born in Cremona, Italy, the city where his family had been established for five centuries, and he was the son of Alessandro Stradivari. Cremona was a town that had been renowned for its master violin makers for nearly one hundred years. Its leading craftsman during Stradivari's early life was Niccolo Amati, who represented the third generation of his family to contribute to the development of the traditional violin style popular at the time. Stradivari was probably </span>apprenticed<span> (worked to learn a trade) to Amati by the early 1660s and under Amati's direction learned the craft of violin making.
</span>
2) By 1666 Stradivari was producing instruments independently as well as continuing to work at his mentor's (an advisor and guide) shop, which he probably did until Amati's death in 1684. In 1667 he was married to Francesca Feraboschi and set up his own household and shop. The couple eventually had six children and two of their sons would follow in their father's footsteps as violin makers. In the decade or so before 1680 Stradivari created a wide variety of stringed instruments, including guitars, harps, lutes, and mandolins. He continued to follow Amati's basic design for violins, but during this time he began experimenting with improvements in tone and design.

The Stradivari family moved to a new house at No. 2, Piazza San Domenico in 1680, and the building would serve as the violin maker's home and workshop for the life. Here he matured in his art and created his greatest works, most notably the violins that set the standard for perfection in the music world. In the 1680s he continued to develop his own style, moving away from Amati's design to create a more solid-looking violin made of new materials and finishes. The resulting instruments during this time created a more powerful sound than earlier violins, and musicians from outside Cremona began to seek out instruments from his workshop as his fame grew. Upon Amati's death in 1684, Stradivari was considered the city's greatest violin maker.

Despite Stradivari's considerable success with his designs, he continued to look for ways to improve his violins. He succeeded in finding a deeper, fuller tone that was quite distinct from the lighter sounds of other Cremona instrument makers. Stradivari's wife died in 1698, and she was honored with a large funeral. In the summer of the following year, the craftsman married his second wife, Antonia-Maria Zambelli. He had five more children from this marriage, but none of them ever entered the instrument-making business.

5 0
3 years ago
Define expressionism and discuss how the sculptors Hagesandros, Polydoros, and Athanadoros used expressionism in Laocoön and His
hram777 [196]

Answer:Laocoön and His Sons is a marble sculpture from the Hellenistic Period (323 BCE – 31 CE). Following its discovery in a Roman vineyard in 1506, it was placed in the Vatican, where it remains today.

In true Hellenistic fashion, Laocoön and His Sons showcases an interest in the realistic depiction of movement. In the action-packed scene, three figures frantically try to free themselves from the grasp of sinuous serpents. No matter how much they twist and turn, however, they remain entangled, culminating in a swirling mass of snakes and limbs.

Explanation: I think this is it

3 0
3 years ago
Which of the following is NOT a main orchestral group or family ?
Solnce55 [7]

Explanation:

The answer is A. Vibraphones.

strings is the family that includes violins, cellos, guitars, etc.

brass includes trumpets and the tuba, etc.

percussion includes drums, tambourines, etc.

5 0
2 years ago
Read 2 more answers
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