Explanation:
Each ethnic group in New Orleans contributed to the very active musical environment in the city, and in this way to the development of early jazz. A well-known example of early ethnic influences significant to the origins of jazz is the African dance and drumming tradition, which was documented in New Orlean
 
        
             
        
        
        
The more unbalance the more interesting people find it. If it's all symmetrical the eye won't be drawn anywhere in particular .
        
             
        
        
        
Answer:
Passive listening
Explanation:
An example of passive listening is when someone is talking to another, but the other person is only hearing the words as background noise and not particularly involving himself in the listening process. Unlike active listening, which may include focusing on the speaker's words in order to understand them, passive listening is essentially just hearing.
Passive and active listening play an important role in communication, as well as in learning other languages. If a person listens actively, he learns languages more easily because he can look for words he already knows and pick out ones that he needs to look up. Passive listeners do not learn language as quickly, because they tune out the meaning of the words being spoken and allow themselves to think of other things while listening to the language being spoken.
 
        
             
        
        
        
Answer:
a. imagery from his nightmares
Explanation:
At the beginning of Surrealism, the paintings only had to do with the madness of the failed act. A common exercise among artists was to write a sentence on paper, the first one that comes to mind. He moved to another, with the paper folded so that he would not see what was written. And at the end of the page, crazy ideas came up and were soon painted on the pictures. Dali went further. With a little help from chemicals (opium and absinthe are said to be quite popular with the artists living in Paris at the time), he entered his deepest fears and traumas that were stored in his memories, as in a dream. And with the teachings of Sigmund Freud, he understood how his paintings should be painted.