The sentence which uses quotation marks correctly is:
D) Megan asked, "Did Hailey say, 'This will never work'?
This is correct because there has to be an extra set of quotation marks (') inside the parentheses when quoting another person. Also, the question mark has to be outside of the second set of quotes because Hailey did not ask the question, she made a statement.
<span>The central idea of this excerpt is that Revere traveled through several towns to spread the word that the British were on their way. It takes us through his actions and the ensuing events as if we are reading it in real time. The structure supports these concepts due to its repetition of the time. It begins the first stanza with "It was twelve by the village clock," then begins the second stanza with "It was one by the village clock," etc. This builds suspense for his ride, and gives us an overview of how long this ride actually took. </span>
Answer:
fly
Explanation:
if you add wings, the airplane could fly
Answer:
Montag's wife whom he courted in Chicago and married when they both were twenty, Mildred characterizes shallowness and mediocrity. Her abnormally white flesh and chemically burnt hair epitomize a society that demands an artificial beauty in women through diets and hair dye. Completely immersed in an electronic world and growing more incompatible with Montag with every electronic gadget that enters her house, she fills her waking hours with manic drives in the beetle and by watching a TV clown, who distracts her from her real feelings and leads her nearly to death from an overdose. Unwilling and unable to analyze rationally, she lives the shallow life that Beatty touts — acquiescence to a technological chamber of horrors. She distances herself from real emotion by identifying with "the family," a three-dimensional fiction in which she plays a scripted part. Her longing for a fourth wall of television suggests her capability of submerging in fantasy to withdraw from the roles of wife, mother, and whole human being.
Addicted to the labor-saving machines that toast and butter her bread and fill her mind with simplistic entertainment, she forgets to bring aspirin to her ailing husband and recedes into communication. Her replies to him are impersonal and callous, as illustrated by her bland announcement of Clarisse's death. To remove any doubts about her materialistic, robotic lifestyle, Mildred surrounds herself with friends like Clara Phelps and Ann Bowles, vapid and witless dullards who select a presidential candidate by his televised good looks. Unsurprisingly, Mildred betrays her husband and flees their marriage while mourning the loss of her TV family. Her white-powdered face, her colorless lips, and her stiff body foreshadow the corpse she soon becomes. The oppression and militarism that she so willingly accepts expectedly turns on her and exterminates her in a single apocalyptic blast.
