Answer:
In a room.
Explanation:
From the poem, we can see that she is in a room, perhaps at night because it is indicated that she came into a room and she was described as kindling the narrator and they "wake up glowing" which could be in a literal or figurative way.
<u>When she comes slip-footing through the door,
</u>
<u>she kindles us
</u>
<u>like lump coal lighted,
</u>
<u>and we wake up glowing.
</u>
<u>She puts a spark even in Papa’s eyes </u>
<u>and turns out all our darkness.
</u>
<u>When she comes sweet-talking in the room,
</u>
<u>she warms us </u>
<u>like grits and gravy,
</u>
<u>
and we rise up shining.
</u>
<u>
Even at night-time Mama is a sunrise
</u>
<u>
that promises tomorrow and tomorrow.</u>
<u>Mama Is A Sunrise</u> by Evelyn Tooley Hunt.
Answer:
False.
Explanation:
The given assertion proffers a false claim as it incorrectly defines the communication displayed by Margaret through arranging a 'multiparty text chatting session with her quality managers and supervisors' as 'asynchronous communication'. <u>This situation rather exemplifies a 'synchronous communication' as they all have been invited to a single platform to discuss the things face-to-face in real-time without the use of any external signal</u>. All the participants are substantially involved in the process of communication. Therefore, the given statement is asserting a <u>false</u> definition.
Answer:
Character-driven stories can deal with inner transformation or the relationships between the characters. Whereas plot-driven stories focus on a set of choices that a character must make, a character-driven story focuses on how the character arrives at a particular choice.
Explanation:
