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Mariulka [41]
3 years ago
5

5sentenses, facts about tielman susato​

Arts
2 answers:
icang [17]3 years ago
3 0
While Susato's place of birth is unknown, some scholars believe that because of his name—Susato meaning de Soest, of the town of Soest — he may be from the town of that name in Westphalia, or the town of Soest in The Netherlands.
Not much is known about his early life, but he begins appearing in various Antwerp archives of around 1530 working as a calligrapher as well as an instrumentalist: trumpet, flute and tenor pipe are listed as instruments that he owned.
In 1543, he founded the first music publishing house using movable music type in the Low Countries. He could be found in Antwerp, "At the Sign of the Crumhorn." Until Susato set up his press in Antwerp, music printing had been done mainly in Italy, France and Germany. Soon afterwards, Susato was joined by Petrus Phalesius the Elder in Leuven and Christopher Plantin, also in Antwerp, and the Low Countries became a regional center of music publishing. It is possible that Susato also ran a musical instrument business, and he attempted several times to form partnerships with other publishers but none were successful. In 1561 his son Jacob Susato, who died in 1564, took over his publishing business. Tielman Susato first moved to Alkmaar, North Holland, and later to Sweden. The last known record of him dates from 1570.
seropon [69]3 years ago
3 0

Answer:

Tielman (or Tylman) Susato (c. 1510/15 – after 1570) was a Renaissance composer, instrumentalist and publisher of music in Antwerp.

Susato also was a prolific composer of instrumental music, and much of it is still recorded and performed today. He produced one book of dance music in 1551, Het derde musyck boexken ... alderhande danserye, composed of pieces in simple but artistic arrangement. Most of these pieces are dance forms (allemandes, galliards, and so forth).

Often Susato dedicated his publications to prominent citizens of the town. Sometimes he devoted an entire volume to the works of one composer (for example Manchicourt and Crecquillon). Not surprisingly, he seems to have favored other Flemish composers as subjects for publication. He was also one of the first to publish music of the acclaimed late Renaissance composer Orlande de Lassus.

Explanation:

While Susato's place of birth is unknown, some scholars believe that because of his name—Susato meaning de Soest, of the town of Soest — he may be from the town of that name in Westphalia, or the town of Soest in The Netherlands.

Not much is known about his early life, but he begins appearing in various Antwerp archives of around 1530 working as a calligrapher as well as an instrumentalist: trumpet, flute and tenor pipe are listed as instruments that he owned.

In 1543, he founded the first music publishing house using movable music type in the Low Countries. He could be found in Antwerp, "At the Sign of the Crumhorn." Until Susato set up his press in Antwerp, music printing had been done mainly in Italy, France and Germany. Soon afterwards, Susato was joined by Petrus Phalesius the Elder in Leuven and Christopher Plantin, also in Antwerp, and the Low Countries became a regional center of music publishing. It is possible that Susato also ran a musical instrument business, and he attempted several times to form partnerships with other publishers but none were successful. In 1561 his son Jacob Susato, who died in 1564, took over his publishing business. Tielman Susato first moved to Alkmaar, North Holland, and later to Sweden. The last known record of him dates from 1570.

Susato was also an accomplished composer. He wrote (and published) several books of masses and motets which are in the typical imitative polyphonic style of the time. He also wrote two books of chansons which were specifically designed to be sung by young, inexperienced singers: they are for only two or three voices. Most important of his publications in terms of distribution and influence were the Souterliedekens of Clemens non Papa, which were metrical psalm settings in Dutch, using the tunes of popular songs. They were hugely popular in the Netherlands in the 16th century.

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Responsively listening is when you are physically or mentally reacting to the music. This is when you may play music to make you feel a certain way (to pump you up or calm you down, or to make you feel happy) or you physically respond to the music such as dancing or moving parts of your body to the beat of the music. Another example is pacing your steps to the same beat that the music you are listening to is playing. Responsively listening allows you to gain the main health benefits of listening to music and react to music in a more advanced way than passively listening. This type of listening is also used by almost everyone whether it’s to use as a tempo or just to hype up to make you feel happy.

Actively listening is where you pay attention to the music, it is the focal point. Whereas in passively listening the music was just part of the background, when you actively listen you make everything else around you fade into the background as you set your main attention on the music. This is type of listening makes you pay attention to the little details of the music, past the lyrics. It makes you look at the beat, tempo, and melody of the song. This is a great skill to learn for musicians and instrument players. It allows you to look deeper into the music that you are listening to and be able to replicate it. Compared to the other skills this takes a lot of practice and skill to achieve. Not everyone can do it, but it is very helpful, especially if you want to or are a musician.

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