Answer:
im confused what are u asking
Explanation:
<span>I believe the correct answer is “The Transfiguration
Mosaic at Sant'Apollinare in Classe” 6th century (year 549)</span>
“The Transfiguration Mosaic at Sant'Apollinare in
Classe” is a mosaic which represents the decoration of the apse of Basilica of
Sant' Apollinare in Classe, dating to 6th century. The mosaic can be divided
into two parts:
1. Crux Gemmata (jeweled cross with engraved picture
of transfigured Jesus Christ and his followers)
2. Saint Apollinaris praying to the God in a green
valley with rocks, bush, plants and birds.
This artwork has many Biblical symbols. It
represents the transfiguration of Jesus Christ, a complete change of form or
appearance into a more beautiful or spiritual state, under the Hand of God. On
the sides of the arch are shown palms and under them are the archangels Michael
and Gabriel. These symbols represent justice. Under them, figure of Saint
Apollinaris is portrayed in the act of praying God to give grace to his
faithful. He is surrounded by 12 white lambs which symbolize 12 Apostles.
In Early Byzantine art, every color had a symbolic
meaning complementing the religious scene. In this mosaic the colors used are:
gold (representing the radiance of God), red (representing love), green (the
color of nature, life) and blue (everlasting world, heaven).
Answer: In Colour Theory a TINT any Hue with White added. The colour remains the same only lighter. In Colour Theory, a TONE is any pure Hue with Neutral Grey added. The colour remains the same only darker.
Explanation:
<em>You would want to be sure to add in soft colors. The softer, yet vibrant, the colors are, the more drawn someone is and the more serenie your piece is. The color scheme is what makes or breaks the piece, so sometimes even the slightest strokes can leave the biggest impact on your audience.</em>
Fresco Secco. In the dry plaster or "fresco secco" technique, pigments are usually mixed with water, although other substances might also be used. The paint is then applied to a dry plaster wall which has been wetted down with water.