<span>I hope this helps! :)
1. Antinous Pallas </span><span>vocal suitor of Penelope
</span><span>
2. Zeus </span>son of Cronus, Athena's Father
3. Mentes Athena in disguise
4. Poseidon "Earth Shaker"
5. <span>Polyphemus Cyclops
6. Calypso </span><span> "bewitching nymph" of Ogygia
7. </span>Orestes <span>Agamemnon's son
</span><span>
8. </span>Laertes <span>Telemachus's grandfather
9. </span>Eurycleia Telemachus's devoted servant
Answer:
when I was a kid, I loved to read detective novels.
My neighbor is such a nuisance that he always played loud music.
Compaq made computers but it never made cars.
I am sorry I can't hear what you are saying because everyone is talking so loudly.
Right now I thought that she should read something else.
there you go !
you need to take a picture and ask again
Answer: indirectly, through his lack of action.
Explanation:
Jim does nothing in this excerpt apart from look at Della who then tried to interpret this look by diagnosing it for the presence of emotions that she had prepared for but instead found none.
We are therefore introduced to Jim's character indirectly through Della's eyes as she analyses his lack of action.
Answer:
I researched Ilya Repin, and he was mostly a Realist. I say this because he painted country folk in common settings, but also painted lots of conflicts between people. He also painted dramatic works, but he still focuses his characters and settings on Realist and less idealized versions of society andthe people in it. He was impactful in society, especially to Russian and Ukrainian culture. Repin is known for the psychological impacts that his paintings made, and he was called a new interpreter of Russian life. One of his most famous paintings was with Ivan the Terrible and his son and was dramatic and sad, but grotesque and realistic. Repin was one of the first Russian artists to become successful in Europe using only Russian themes and people. He was the leader of the new artistic movement in Russian art called critical realism because he chose to paint nature and characteristics of society over the typically studied formalities. He also criticized the typical sugar-coated versions of society and strived to paint Russian individuals in a more honest and spiritual light. He was very politically active in the Bolshevik and Russian Revolutions, and this showed in his paintings. He felt personally accountable for the rough lives of the common
