Porphyria's Lover is a dramatic monologue that tells us the speaker's thoughts.
There is no conflict resolution: the poem ends with Porphyria dead by her lover's hand. No one has come upon them by the end of the poem and he has not been punished. What happens after this scene ends is unresolved.
There is no dialogue, either. The speaker of the poem tells us that Porphyria "calls" the speaker, but he does not relate her exact words. There is no dialogue in the poem.
Finally, there are no formal stage directions. The speaker does describe several actions happening during the poem -- as when the speaker tells us he strangles Porphyria with her hair -- but we do not have formal stage directions as one would get in a play.
B, interrupted
Because the word "yet" interrupts the verb phrase "have not visited"
Answer: Box 1 Night, Box two Adrian is nervous about doing the play/song, Box 3 in a theater, and on the center of the stage
Explanation: Box 1: you can tell it's at night because it says in the story "The final weeks leading up to tonight"
Box 2: In the beginning it says "Adrian wiped her sweaty hands on her skirt"
Box 3: Because of the fact that if she is doing a play/song it would be in a theater, and she is in the center of the stage because it says "The first notes of the opening number were hanging in the air as Adrian quickly took her place in the center of the stage"
Answer:
Henry Louis Gates, Jr. was a highly educated writer. He wrote the essay called "In the Kitchen". In the script, he talks about his mother doing hair in the kitchen. The "kitchen" doesn't actually refer to a kitchen where someone would cook food. The "kitchen" is the area on the back of the head where "our neck meets the shirt collar". As Gates goes on to say, no one nor thing could straighten the kitchen. Gates begins to describe a political significance to hair by speaking of the "good" and "bad" hair. Gates attitude towards the "kitchen" is quite negative as he does not like the politics of it. They [people in general] consider white hair good hair. He believes the "process" in which a man tries to straighten his hair is pointless as it will not fix the "kitchen". The process for trying to fix it is quite expensive. It is best to trim it all off the best you can. Gates uses Frederick Douglas and Nat King Cole as examples of famous African-Americans to argue, to his point, that even the most expensive or unorthodox way of trying to fix your "kitchen" simply does not work
B ) Do we stand our ground? Or, do we conform to the world?
