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Anika [276]
3 years ago
5

Lunches in U.S. high schools are lacking adequate nutritional value. The menus have become increasingly varied over the past two

decades, and they are varied to a fault. Now high school students can choose between healthy main dishes and "junk food" items offered á la carte on the school menu. Milkshakes and fries are often the lunch of choice for America's youth. Fourteen-year-old Alira Sanson from Grand Rapids, Michigan, admits, "I love my high school's menu. It is much better than middle school food. I eat a giant chocolate-chip cookie and a bag of chips for lunch every day—because I can." The middle school menu Alira refers to is the government-regulated hot lunch mandated in elementary and middle schools across the nation. Lunches at the high school level are often under site-based management, and food-service officials are under pressure to provide food that sells. This pressure renders unhealthy choices, and the resulting menus are detrimental to students.
Which type of nonfiction text is shown in the passage?
A. editorial
B. memoir
C. biography
D. journal entry
English
2 answers:
pshichka [43]3 years ago
6 0
Im assuming that the answer to this question  is editorial  
Illusion [34]3 years ago
3 0

im assuming that the answer to this question  is editorial  

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creativ13 [48]

Answer:

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3 0
4 years ago
Which feminist theme is most supported by the excerpt? O Women feel pressured to conform to roles set by society. O Women artist
yuradex [85]

Answer:

The excerpt portrays the theme of Social oppression of women.

Explanation:

In"Trifles" by Susan Glaspell, The theme of social oppression of women shows how the male dominated society treats women. The men belittles the women, they occupy the workplace while the women only stay at home. <em>Trifles</em> portrays how men dominate the world and look down on the female gender. Social restrictions and expectations confine women to their homes only to do house works. The women go unheard in male-dominated societies with little control or identity of their own.

The women are oppressed. They are only identified by their husbands surnames just like the characters of Mrs. Hale and Mrs. Peters. except Minnie the only woman in the play to get a first name. but she is isolated at home and without children.

The theme of social oppression of women displayed in the play shows that women are not only locked in their homes and left to be dependent on their husbands but that the men fails to acknowledge their roles in oppressing the women rather they mock their character and intelligence and blame the women for enjoying the only things their oppression offers them.

5 0
4 years ago
Think about the effects of gossip in your own life—whether it is gossip among your friends at school, or celebrity gossip. How p
Mrrafil [7]
I believe that gossip can be quite powerful if people are stupid enough to believe in them. Gossip can ruin somebody's reputation, regardless of the fact whether they are true or not - once people hear something bad or juicy about someone, they won't care much whether it really happened or not, but will rather judge that person based on that particular rumor. Sometimes rumors are based on true events, but most of the times they are not - mostly they are just sparked by someone who is jealous of that particular person and wants them to suffer.
6 0
4 years ago
A student wants to publish and present an essay on the value of parks to a community audience.
Neporo4naja [7]
The answer you might be looking for is C. Editorial

Hope this helps!!!
5 0
4 years ago
!!IMPORTANT!!
Bogdan [553]

Answer

Riding the Rails:

Explanation:

 

 Hopping a freight  

 Many people forced off the farm heard about work hundreds of miles away ... or even half a continent away. Often the only way they could get there was by hopping on freight trains, illegally. More than two million men and perhaps 8,000 women became hoboes. At least 6,500 hoboes were killed in one year either in accidents or by railroad "bulls," brutal guards hired by the railroads to make sure the trains carried only paying customers. Finding food was a constant problem. Hoboes often begged for food at a local farmhouse. If the farmer was generous, the hobo would mark the lane so that later hoboes would know this was a good place to beg. Millie Opitz remembers hoboes coming to her neighborhood.

The list of people who rode the rails includes many later became famous –

Novelist Louis L'Amour

TV host Art Linkletter

Oil billionaire H. L. Hunt

Journalist Eric Sevareid

Supreme Court Justice William O. Douglas

All, at one time, had been hoboes, looking for work.

Riding the rails was dangerous. The bulls were hired to keep hoboes off trains, so you couldn't just go to a railroad yard and climb on. Most hoboes would hide along the tracks outside the yard. They'd run along the train as it gained speed, grab hold and jump into open boxcars. Sometimes, they missed. Many lost their legs or their lives. As the train was reaching its destination, the hoboes had to jump off before a new set of bulls to arrest them or beat them up.

But no amount of clubbing or shooting could keep all of the hoboes off the trains. In many cases, the hoboes had no other choice but to hop a freight and look for work.

Walter Ballard was one young man who became a hobo. He remembers the Depression getting so bad that his family didn't have enough to eat. At least in the hobo jungles, they would share food with each other. Walter remembers the bulls. "I been hijacked by them railroad bulls in the yards, and they get rough. See, there was so many of us on the rails, they couldn't let you congregate in one town." But at least one time, in Chadron, Nebraska, there were so many hoboes on a train that the brakeman gave up.

"There was so many people on it, it looked like blackbirds," Walter said. "Believe it or not, when we got ready to go that old brakeman hollered, 'All aboard!' just like it was a passenger train. Then we felt at ease."

Surprisingly, after all the danger and the rough conditions, Walter enjoyed the experience. "I loved it," he said. "It'll get in your blood. You're not agoing anywhere, you don't care, you just ride. It's paid for. You're going to eat, that was more than you was doing at home, probably."

Hopping freights became so common that in 1933 Warner Brothers studio – at the time run by Nebraska Darryl F. Zanuck – produced a film called "Wild Boys of the Road" to try to scare young people away from riding the rails. In the film, a boy falls on the track and loses his leg to an oncoming train. The celebrated director William Wellman completed the film for Zanuck.

Written by Bill Ganzel of the Ganzel Group. First written and published in 2003.

8 0
3 years ago
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