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Dima020 [189]
3 years ago
6

Samantha Parks is the owner and CEO of Sparks, a small New York agency that develops advertising, promotions, and marketing mate

rials for high- fashion firms. Parks has tended to keep a tight rein on her business, overseeing most projects from start to finish. However, as the firm has grown, she has found it necessary to delegate more and more decisions to her associates. She’s recently been approached by a hair-styling chain that wants a comprehensive redefinition of its entire marketing and promotions look. Should Samantha try to manage this project in her traditional way, or should she delegate major parts to her employees? Most managers confront this question at some point in their careers. Some experts propose that top executives need to stay very close to the creative core of their business, which means that even if their primary responsibility is to manage, CEOs should never cede too much control to committees of creative individuals or they can lose sight of the firm’s overall future direction. Moreover, executives who do fall out of touch with the creative process risk being passed over by a new generation of “plugged in” employees who better understand how the business really works. Others offer the opposite advice, saying it’s not a good idea for a CEO to “sweat the small stuff” like managing individual client accounts or projects. These experts advise executives to identify everything they can “outsource” to other employees and to delegate as much as possible. By eliminating trivial tasks, executives will be better able to focus their attention on the most important decision-making and control aspects of their jobs, which will help the business and also ensure that the top executive maintains control over the functions that really matter. These pieces of advice are not necessarily in conflict with one another. The real challenge is to identify what you can delegate effectively without ceding too much power and control away from the person with the unifying vision. That is certainly easier said than done, though.
1. If you were Samantha Parks, how would you prioritize which projects or parts of projects to delegate?

2. In explaining what makes her decisions hard, Parks said, “I hire good people, creative people, to run these projects, and I worry that they will see my over-sight and authority as interfering with their creative process.” How can she deal with these concerns without giving up too much control?
Business
1 answer:
goblinko [34]3 years ago
6 0

Answer:

yeet

Explanation:

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Leto [7]
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3 0
3 years ago
What can you expect in a one-on-one interview? Check all that apply. You will sit down with the company representative and talk
Scilla [17]

Answer:

all of the answers provided can and should be expected during a one-on-one interview

Explanation:

According to my research on the hiring process, I can say that based on the information provided within the question all of the answers provided can and should be expected during a one-on-one interview. During this kind of interview the interviewer wants to get to know your professional skills, abilities, and traits, as well as general information about you such as hobbies, past experience, achievements etc. This is regardless of whether the interviewer is the hiring manager or human resources.

I hope this answered your question. If you have any more questions feel free to ask away at Brainly.

5 0
3 years ago
The band estimates it will use this equipment for four years, during which time it anticipates performing about 200 concerts. It
grin007 [14]

Answer:

There are several question

Explanation:

You do not provide the equipment adquisition value.

I will help you with this incomplete question, by giving you the procedure to reach the answers of your problem:

The <u>information about concerts is not useful </u>to determinate the straight-line depreciation, so you will ignore that part, on striaght-line you must focus on the espected life of the long-term asset, the adquisition value and the salvage value.

For depreciation expense for year 1.

You will do (adquisition value - salvage value ($2,000)) /4 years

The first part means, the ammount from which the band purchase the equipment, less the ammount they can sell it at the end of his useful life. This will be the <em>ammount subject to depreciation.</em>

Last part will be to divide this by the useful life in year.

Book value at the moment of revision will be:

<em>book value  = </em>adquisition value - acumulated depreciation

Were the acumulated depreciation will be sum of the depreciation expense over the years. In this case we only have 1 depreciation so it will be

acumulated depreciation: dep expense year 1

<em />

Remaining depreciable cost at year 1 will be:

<em>amount subject to depreciation  - acumulated depreciation</em>

remember that amount subject to depreciation will be:

adquisition value - salvage value

and the acumulated depreciation is the sum of the depreication of each year.

For depreciation expense for year 2

Then you will do (adquisition value - salvage value) / 3 years

Because the expected life decrease this value will be higher than year 1

7 0
3 years ago
M&amp;M Proposition I with tax implies that:
Savatey [412]

Answer:

D. A firm's weighted average cost of capital decreases as the firm's debt-equity ratio increases.

6 0
3 years ago
The statement that reports net income or loss for a certain period in time is the
Mars2501 [29]

Answer:

The correct answer is: Income statement.

Explanation:

The Income Statement is a report that measures a company's financial performance over a specific accounting period. This statement is also known as the Profit and Loss Statement and Earnings Statement. The Income Statement shows a company's <em>revenues, expenses, net profit, </em>and <em>net loss</em> from both operating and non-operating activities.

8 0
3 years ago
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