I think your analysis is good, but since they are specifically asking you to analyze the formal aspects of each poem, I would add a few more things.
In Dickinson's "I dwell in Possibility," the use of capital letters does emphasize those words, but there are many other poetic devices that create meaning and affect the poem, such as metaphors ("A fairer House," which refers to poetry, for instance), a vivid imagery (it is impossible not to picture a house in your mind when you read this poem, beautiful, ample, with many windows, and the sky as its roof), and assonance (words such as "Prose" and "Doors" or "Eye" and "Sky" have resembling sounds), among others. These devices have been carefully chosen in order to convey a very praising description of poetry.
"Do Not Go Gentle into that Good Night," by Dylan Thomas, is a call to resist death and fight for life with tenacity, and the use of specific formal elements contribute greatly to convey that message. Thomas uses repeatedly the verbs "rage" and "do" in their imperative form, in an attempt to convince his dying father to resist and to not accept death without fighting for his life first. He also uses various poetic devices, such as alliteration ("<em>go</em>, <em>ge</em>ntle, <em>go</em>od"), simile ("Blind eyes could blaze like meteors"), oxymoron ("curse" and "bless" have opposing meanings, yet he places them together) and hyperbole (he is exaggerating his father's qualities when he says "Wild men who caught and sang the sun in flight"), among others. In addition, throughout the poem there are many terms ("night," "dying of the light," "sad height") that speak symbolically, yet tactfully, of the unavoidable death.