Answer:
Proportion: certain objects are smaller than others to create depth; the objects are all relatively small and proportionate to each other. Composition: bolder colors seem to leap off the page, whereas lighter colors appears to fall back; almost all the objects are vertically (or almost vertically) placed so the eye travels up and down when looking at the piece; there is balance of shape and color. Answer will vary for the artist's message but should be backed by reason.
Explanation:
Bartok was inspired by Stravinsky’s work to put a more traditional and often Baroque forms in pieces of his “middle period” such as Cantata Profana and Music for Strings, Percussion, and Celesta. <span>Stravinsky’s influence waned after the rise of postwar serialism. Messiaen used techniques that were clearly Stravinsky-like, though, such as melodic fragments of different metrical lengths repeating themselves and intersecting in different ways.</span>
Felt that-
thanks for the points! :p
Explanation:
Yes because of my habbit I show to the others the way of my life and my culture and traditions in the way to use my own language and own perception.
- Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding a B.F.A. or M.F.A. degrees in theater arts. Scenic designers design sets and scenery that aim to support the overall artistic goals of the production. There has been a consideration that scenic design is also production design; however, more accurately, it is a part of the visual production of a film or television.
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2. Scenic Designers
Scenic designers, also called set designers, design physical surroundings to set the tone, atmosphere, time frame, and location for movies, television shows, and theater productions. Scenic designers use furniture, props, structures, backgrounds, and other design elements to create an accurate setting as dictated by a script.
Scenic designers start by reading a script and meeting with directors to define a script's concept and the best way to design it. They then sketch ideas and floor plans to indicate a set's layout and prop placement. After drawing a final model to scale, set designers supervise the construction workers who build the set.
