Answer:
Actor/observer bias
Explanation:
In psychology, the actor/observer bias refers to the tendency to attribute our own actions to external causes while attributing other people's behaviors to internal causes.
When the results of a situation are negative, if the negative outcome happened to the person, the person will likely attribute the outcome to external circumstances. But when it comes to other people, the person will attribute the outcome to the other person behaviors, habits or actions.
In this example, Jeremiah falls and thinks the ice is brutal. <u>He is attributing the fall to an external circumstance (the ice)</u>. But then, when his friend Ed falls on the same spot, he says his friend is really clumsy, <u>attributing the fall to an inner characteristic of his friend</u>. Therefore, this would be an example of actor/observer bias.
Answer:
b) The Nile River fertilized the soil along its banks.
Answer:
The force applied will cause the object to be displaced from its equilibrium position.
However, the motion caused by the force on the object will be slight/minimal because of the small difference between the weight of the object and the force applied.
Explanation:
The weight of the object, W = 49.5 lbs
Force applied, F = 50 lbs
From the information given, it is observed that the force applied is greater than the weight of the object, i.e. F > W
Since, the force applied is greater than the weight of the object, the force applied is sufficient to cause a displacement of the object from the equilibrium position since it is known that the only cause of motion is force.
Answer:
<u>There is no correlation between the type of car owned and the risk of being stolen</u>. Correlation is a term reserved for describing linear associations between quantitative variables. There is an association, not a correlation.
Explanation:
The type of car owned is a categorical variable not a quantitative variable.
The answer is option d. Plain.
A significant theme in a variety of medieval writings is a pilgrimage. It happens in three main ways—as an illustration of the Christian journey through life, a real, physical journey to a sacred place, and an inward, spiritual experience—that are not mutually exclusive and frequently overlap.
A text may describe a traveler—or group of travelers—going to Rome, Jerusalem, or any other shrine, in England or abroad, for a variety of reasons, some of which are religious and others less so. Another might depict a Christian's existence from birth to death as a journey towards salvation or provide an introspective look at the development of the soul.
In some of the most significant works of this era, including Guillaume de Deguileville's Pilgrimage of the Lyfe of the Manhode, Piers Plowman and Chaucer's Canterbury Tales, external and internal journeys are intertwined.
Learn more about pilgrimage here:
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