Answer:
yes we can go on treasure
Whitman uses visual, auditory, and tactile imagery in the poem's first stanza. When he says "The ship has weather'd every rack", he conveys the feeling of exhaustion. (The ship is, of course, an allegory of America, whereas the Captain stands for President Lincoln, who was just assassinated.) "The bells I hear" is an auditory expression, which supports the people's exaltation, but also resembles the sound of death bells which mourn the Captain's death. The vessel is "grim and daring", grim because the trip had been extremely hard, but the cause was daring. "The bleeding drops of red" is a striking image of the tragedy of Lincoln's death. The blood was shed, so it was not a natural death. The Captain is "cold", which is an example of tactile imagery.
As a whole, this stanza juxtaposes two kinds of mood: the exaltation about the Captain's glorious deeds, as well as pathos and tragedy because of his death. The imagery makes the poem all the more exciting, as it lets us see, hear, and feel the speaker's state of mind - which is a fusion of personal and collective feeling toward America's journey to freedom and Lincoln's pivotal role in it.
Business writing communicates information clearly, directly, and briefly.
It's important to have a u turn sign so that you know when to take a u turn
Ponyboy explains that the greasers rule the poorer East Side of town, while the Socs run the wealthier West Side of town. This oversimplification of the Tulsa setting reflects the characters’ longstanding beliefs that people belong to either one gang or the other, and there is no middle ground. Ponyboy longs to live in a place where no greasers or Socs reside, and he wants to live around “plain ordinary people.” The geographic and social division between the greasers and the Socs doesn’t fade until Ponyboy and Johnny hide out in Windrixville, a pastoral town in the mountains. There, they immerse themselves in nature and spend time reflecting on “the colors of the fields and the soft shadings of the horizon.” In this setting, Ponyboy and Johnny literally shed their social identities when they cut their trademark greaser hair. After saving the children from the burning church, Ponyboy and Johnny become heroes to the Windrixville citizens, solidifying that there exists a setting where they can truly shed their “hood” identities.