Please provide an image by taking a picture in google docs, making link sharing on said doc allowed, copying the link, and then replying to this with the link so I can see the image.
Answer:
a. sculpture that has an integral relationship with the particular site where it exists.
Explanation:
Site-specific art is a form of environmental art that is created in order to fit and be shown at a certain place. The artist evaluated the space and location, and they make the art that is specifically tied to it. <u>The place is likely part of the art piece and the work is best appreciated when observed in the context.</u>
Site-specific art can be in form of the dance or performance, but they are most often installations, murals, or sculptures.<u> The site-specific sculpture is, therefore, the sculptural element that is in some way integrated to the location where it is placed and is not supposed to be observed separately from where it is set by the artist.</u>
They filmed in the street
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
