Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
Answer: a tool to help find the periodicals that contain articles on a particular subject.
A periodical index is a tool that contains the subject, author and keywords of a particular list of periodicals. This tool helps you find articles about specific topics. The way to look through an index is similar to that of looking for items in a library catalog.
In act l, scene of Romeo and Juliet there is a depiction of the character Benvolio. The character of Benvolio embodies the archetype of the loyal friend, honorable mentor, and gentle caretaker.
EXPLANATION
Romeo and Juliet is William Shakespeare’s literary work which was written at the beginning of his career. The story tells about two people who love each other, yet they experience rejection from the family which later leads to the death of both. Their deaths succeeded in reconciling the two hostile families. This work is one of Shakespeare's most popular plays during his lifetime.
Summary of the Romeo Juliet
Overall, this story tells of an old grudge between two families. Revenge that is too strong explodes into bloodshed. Uniquely, young Romeo Montague falls in love with Juliet Capulet from the family of musush. Similarly, Juliet puts the same taste. Unfortunately, Juliet will be married to County Paris, her father's choice.
In the process of struggling to establish a relationship, Romeo actually experiences street fights which turns out to cause Juliet's cousin named Tybalt to die. Because of that Romeo was exiled. In desperation to establish relations with Romeo, Juliet follows the advice of Friar. She will fake her own death so that she can meet again with Romeo.
Yet the message fails to understand Romeo. He believes that Juliet is dead. Romeo decides to end his life next to Juliet. When Juliet wakes up, she finds Romeo already dead beside her. Juliet later commits to ending her life, following Romeo, by drinking the poison that Romeo used. The two grieving families finally agreed to end their animosity.
LEARN MORE
If you’re interested in learning more about this topic, we recommend you to also take a look at the following questions:
• Shakespeare's sonnets brainly.com/question/921097
• Shakespeare's formal education brainly.com/question/540835
KEYWORD: Shakespeare, Romeo-Juliet, plays
Subject: English
Class: 7 – 9
Subchapter: Literature
