Answer:
The contrast created between East Egg and West Egg suggest that the story's conflict will be based on wealth and appearances. The East Egg is the area of "old money," people who has inherited all of their money and are accustomed to a certain standard of living.
Explanation:
Answer:
- In the 1920s, there was a HUGE technological advance, meaning people were starting how to program and build machines, and using those newfound skills to their advantage,
Explanation:
Basically, people built machines to do work faster, which made more products, which meant more customers. People didn't have to spend a huge amount of money to profit a huge amount of money. That means poor/unemployed people got jobs, and it went down like clockwork, as more customers came, they needed more people, making more jobs, making more money, making the economy skyrocket.
I believe the correct answer is a duel between Laertes and Hamlet.
Laertes had many reasons to want to kill Hamlet, the most important of which are the facts that Hamlet killed Polonius, Laertes' father, and indirectly led to Ophelia, Laertes' sister, committing suicide. So the excerpt above talks about their future duel in which Hamlet says he would kill Laertes in only three hits.
A. a direct conversation between two or more characters
The lines from "Porphyria's Lover change it from a love poem to a Gothic poem that evokes horror are "Porphyria's love." He says that Porphyria should in no manner have guessed how her wish (to be with him forever) might be fulfilled.
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What is the text about Porphyria's lover?</h3>
"Porphyria's Lover" is a poem with the useful resource of the usage of Robert Browning which was modified into first published as "Porphyria" withinside the January 1836 hassle of Monthly Repository. Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells.
This poem is a dramatic monologue—a fictional speech supplied due to the fact the musings of a speaker who is reduced unfastened the poet. Like most of Browning's unique dramatic monologues, this one captures a 2d after a main event or action. Porphyria already lies dead at the same time as the speaker begins.
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