Answer:
Well I got 9 steps though. Hope this helps.
Making you object,
Imagine the purpose, size, shape, and the color of the object you wish to make,
Pick your clay,
Decide which method will work best for your project,
Form away,
(((((Firing Your Object)))))
And thats it!
The smile in Kooning's Woman I painting is a reference to Renaissance art, specifically the Monalisa's smile which can be interpreted as either smirking or disgust.
<h3>Who was Willem de Kooning?</h3>
Willem de Kooning (1904 - 1997) was a Dutch American nationalized painter, an exponent in the years after World War II of abstract expressionism and gestural painting.
One of his best-known works is the Woman series. In the case of the first work of this series, the author refers to Renaissance art because the expression of the woman's lips refers to Monalisa's lips, which do not have a clear expression and allow interpretation by those who contemplate her.
Learn more about painting in: brainly.com/question/25795412
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
