Answer:
They were investers.
Explanation:
loking to make profits out of Virginia in Jamestown.
Five signers were captured by the British and brutally tortured as traitors.
Thomas Heyward, Jr., Edward Rutledge and Arthur Middleton, all of South Carolina, were captured by the British during the Charleston Campaign in 1780. They were kept in dungeons at the St. Augustine Prison until exchanged a year later.
The second scaffold scenario occurs precisely in the middle of the novel, in chapter 12. The final is found in Chapter 23. Each of these scenes has all of the major characters from the book as well as the scarlet letter, which serves as the novel's central emblem.
<h3>How did the second scaffold scenario end?</h3>
As Reverend Dimmesdale progresses towards a nighttime confession of his role in Hester's tragedy, the second scaffold scene functions as a kind of wedding altar scene between Hester and the tortured Reverend Dimmesdale. Alongside Hester and Pearl, Dimmesdale confesses his involvement in the third scaffold incident.
<h3>What is the importance of Scarlet Letter's second scaffold scene?</h3>
One of the most iconic scenes in American literature may be found in the second scaffold scene, which once more offers views of all the main players as well as a dramatic glimpse of the scarlet A. Dimmesdale has made his way to the scaffold in the cover of night to conduct his own solitary vigil.
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Toward the end of the 14th century AD, a handful of Italian thinkers declared that they were living in a new age. The barbarous, unenlightened “Middle Ages” were over, they said; the new age would be a “rinascità” (“rebirth”) of learning and literature, art and culture. This was the birth of the period now known as the Renaissance. For centuries, scholars have agreed that the Italian Renaissance (another word for “rebirth”) happened just that way: that between the 14th century and the 17th century, a new, modern way of thinking about the world and man’s place in it replaced an old, backward one. In fact, the Renaissance (in Italy and in other parts of Europe) was considerably more complicated than that: For one thing, in many ways the period we call the Renaissance was not so different from the era that preceded it. However, many of the scientific, artistic and cultural achievements of the so-called Renaissance do share common themes–most notably the humanistic belief that man was the center of his own universe.
