Neville Brody has viewed the magazine as a dimensional object existing in time and space, and he has experimented with the continuity of design from one issue to the next. His contents page logo for the face , for example, deconstructed from letters to abstract glyphs over several issues
<h3>Continuity of design</h3>
Utilizing continuation will help you as a graphic designer direct the eyes of your audience through your designs. In addition to building a connection between the design and your viewers, this enables you to draw their attention to particular components that you want them to see.
The Continuity of design principle's ability to be applied to both vertical and horizontal movement is one of its most important features. Let's examine the real-world applications of this idea, particularly as they pertain to graphic design.
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Answer: d. Sounds
Explanation:
According to Bruno Netti on Ethnomusicology, Music is diverse. It always expresses a subtext determined by culture, class, gender and personality and by a society's idea of music. Evidenced by the different genres of music we have.
Alan Merriam's three part model on music suggests that music is a phenomenon that consists of three sides; sound, behaviour and ideas.
So therefore for music to be understood, it should be studied as a group of sounds, as behaviour that leads to these sounds, and as a group of ideas or concepts that govern the sound and the behaviour.
Answer:
In relief printing, the artist draws a design on a smooth block of material—usually wood or linoleum—and uses tools to carefully cut away the areas that are not to be printed, leaving behind a raised surface of lines and shapes.
Marxism: The method that interprets artworks in the light of their economic and social contexts. the goal of Marxism is threefold. First, Marxism desires to abolish classes in whatever form they exist. Marx and his followers have seen the injustices perpetuated through a class system. The rich get richer and the poor get poorer.
Answer and explanation:
The musician can play different notes by pulling more or less on the washbasin mast due to the tension applied on the string.
This is because the more the mast is pulled, the more the washtub bass string is stretched and this increases the tension on that string. The stresses determine the type of note that will be exposed. This is because the higher the desired note, the more tension must be applied to the string, so the mast must be pulled harder.
