Answer:
El arte cinético es una corriente de arte en que las obras tienen movimiento o parecen tenerlo. Es una tendencia de las pinturas y las esculturas contemporáneas creadas para producir una impresión de movimiento. El arte cinético y el arte óptico son corrientes artísticas basadas en la estética del movimiento.
Answer:
The fundamental principles of Martha Graham's technique for choreography are based on
- the contraction and liberation of the body, a technique that was developed as a stylized representation of the breath and, depending on the context, symbolized the dancer's surrender to the emotions.
- the displacement of the body, considering the fall and the recovery, manipulating the body's center of gravity to control the moment and direction of a fall.
- the spirals, which consist of rotating the spine about 45° around its vertical axis, so that a dancer facing the front of the stage aligns his shoulders with the "Via Triumphalis", an imaginary line parallel to a corner of the stage.
- Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding a B.F.A. or M.F.A. degrees in theater arts. Scenic designers design sets and scenery that aim to support the overall artistic goals of the production. There has been a consideration that scenic design is also production design; however, more accurately, it is a part of the visual production of a film or television.
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2. Scenic Designers
Scenic designers, also called set designers, design physical surroundings to set the tone, atmosphere, time frame, and location for movies, television shows, and theater productions. Scenic designers use furniture, props, structures, backgrounds, and other design elements to create an accurate setting as dictated by a script.
Scenic designers start by reading a script and meeting with directors to define a script's concept and the best way to design it. They then sketch ideas and floor plans to indicate a set's layout and prop placement. After drawing a final model to scale, set designers supervise the construction workers who build the set.