Np picture and I don’t remeber piano I quit but I’m going back
Answer:
La sub-mente sigue guardando hechos a lo largo del tiempo, lo que la conciencia pasa por alto. Utilizando estímulos visuales y orales, exploramos las formas a través de las cuales la sub-mente es capaz de albergar esos patrones, antes que los pensamientos conscientes. El inconsciente va por delante del consciente.
Because he wanted to have a depersonalized and mass produced quality.
These are some of the parts of a song. Herewith is the proper and most logical order: introduction, verse, refrain interlude and coda. The introduction of the song is optional because this is usually just the instrumental or the introduction before the song is to be played. The verse on the other hand contains the story of the song. This usually has the storyline, mood or message of the song. Each verse has the same melody and chord patterns. This will lead the listeners to the chorus. Refrain is the part of the song which is repeated from verse to a verse. This is not a section but a part of the verse. Some of the refrains contain the hook or sometimes the title and tends to be the most memorable part of the song. Due to repetition of these lines, these are also the lines that will stick to your mind. Next is the interlude. Interlude is the short and optional part which adds extreme change or variety to a song. This is the section where the spoken rhythm is usually placed and this gives relief between choruses. Lastly, the coda is the part of the song which is special but optional ending section. The melody of the coda is taken from another part of the song. This is the grand finale.
Answer:
The Paris Commune
Explanation:
The Franco-German War broke out in 1870, the Second Empire collapsed, and the Third Republic was proclaimed. On March 18, 1871, the republican Paris Commune was established to fight the Germans in France as well as to fight the Army of Versailles, which had remained loyal to Napoleon III and had concluded an armistice with the Germans that the members of the Commune judged to be dishonourable. Courbet, who had been recently elected president of the artists’ federation and was charged with reopening the museums and organizing the annual Salon, took part in the revolutionary activities of the Commune. Instead of opening the museums, he decided to protect the major public monuments, especially the Sèvres porcelain factory and the palace at Fontainebleau, for Paris had been under constant bombardment by the Germans. Alarmed by the excesses of the Commune, he resigned May 2.
