Relief printing is done by outlining an image on a surface, and then carving along the outline. The artist then applies the raised areas with ink, to be pressed on to a surface. Intaglio is sort of the opposite of relief printing, in that the ink is pushed into the lines and pits and wiped off the surface of the plate. The resulting image comes from the ink in the engraved or etched lines. The resulting image is reversed.
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Some details that I noticed in this picture, are the loud and detailed paintings in the background. You focus your eyes onto the paintings in the background that the human are almost camouflaged. The people look like they're trying to get somewhere, which makes me think background could be a distraction; a diversion in their journey for them. Or perhaps it could be that they're telling us that the journey they are on is flamboyant and fun. (Ah, sorry this is a very good answer because I don't really know what I'm doing haha... You can (And probably should) make adjustments to it however in your response. Although I did try so brainliest please?)
<span> <span> A symphony is a symphony. Beethoven's 3rd and 5th symphonies certainly influenced other composers, but symphonic structure itself hasn't been redefined. Symphonie Fantastique is a symphony in name only; likewise the Rustic Wedding Symphony by Karl Goldmark - very pleasing music, but not really symphonic. César Franck included a cor anglais in his D minor symphony, and one critic remarked that it wasn't really a symphony *because* a cor anglais was included. Adding a chorus and/or vocal soloists doesn't alter symphonic form.
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