I think the closest correct answer, based on the given options, isThe reader experiences a fuller portrait of the narrator than Dee, who only hears the narrator’s external expressions.
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Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
Answer:
I would say the at the age of 16
Explanation:
if a person can work at the age of 16 then they should be allow to drive to their work to support themselves.
Explanation:
First and foremost, one of the most important reasons to learn a foreign language is the stimulation it offers your mind. Like a young child grappling with language for the very first time, you find yourself lusting for knowledge and oozing curiosity at every turn.
