Answer:
He is stubborn and overconfident.
Explanation:
B, C, D are inferences about the Squealer motivation for using propaganda does the passage support.
A squeal is a legitimate that is used to symbolize the communication of pigs. In different phrases, Squealer represented the pigs in conversation (propaganda). he's in a position to turn “black into white.” In present day day, Squealers are folks who tell on others.
Both characters are encouraged through the choice to assemble the windmill. Why does Squealer inform the opposite animals that there is no resolution in opposition to the pigs moving to the farmhouse He desires to maintain the alternative animals submissive.
Orwell suggests that Squealer is persuasive via the description of his appearance and actions. The others stated of Squealer that he ought to turn black into white. This description suggests that Squealer is able to persuading every body of some thing, a skill Napoleon puts to correct use.
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Answer:
He leans on Montresor's arm as they walk is the correct answer.
Explanation:
The Cask of Amontillado is a short story written by American poet and author Edgar Allan Poe. It tells the story of Montresor and Fortunato and revenge among them. It is narrated from Montresor's point of view and he is also the narrator.
In the text, we can see how Montresor literally mentions how "Fortunato possessed himself of my arm" when they were going to the vaults, even though Fortunato's disease and the conditions in the vaults.
Answer:
D. It does not use excess words.
Explanation:
<u>Imagism </u>is the literary movement that focuses on the <u>depiction of things as they are and not romanticizing or using 'extra' language to decorate it </u>like the Romantics. This early 20th century poetic movement founded by Ezra Pound is in favor of precise writing and use of words, the depiction of what it really is, and direct use of language rather than go round it. It also favors the use of exact words and not use extra words.
Marianne Moore's poem<em> "The Jelly-Fish"</em> is a 20-lined poem that presents an image of a jelly-fish and how it reacts when a person tries to touch it or capture it. And in her use of such precise words and exact 'to-the-point' directness in the description of the fish, <u>Moore embodies Ezra Pound's rules of imagism in that it does not use excessive words to give a description of the fish.</u>
I think it's B, too. Geez, I haven't worked with syllables in ages.