The relationship between language and emotions can be viewed from two angles. First, language, in a broad sense, can be viewed as being done [performed] "emotive". Taking this angle, it is commonly assumed that people, at least on occasions, "have<span>" emotions, and that "being emotional" gains its own agency, impacting in a variety of ways on the communicative situation</span>
I would say probably B) The image of wild and lone.
Buuttt.. It could possibly be something different.. (Maybe C?)
Miller's title, The Crucible, is appropriate for the play. A crucible is a container made of a substance that can resist great heat ; a crucible is also defined as a severe test. Within the context of the play the term takes on a new meaning: not only is the crucible a test, but a test designed to bring about change or reveal an individual's true character. The witch trials serve as a metaphorical crucible, which burns away the characters' outer shells to reveal their true intentions and character beneath. Throughout the play, Miller carefully peels away the layers of each character so that the audience not only can identify the character's motivation, but also can reevaluate the character through his or her actions. In other words, the audience observes the character as he or she is tested, and the audience ultimately determines if he or she passes the test.
Note: I apologize if my answer is wrong.
<span>The right answer here is C - Plaster. Egyptian and Roman artists chose to paint frescos on plaster because it was a material readily available to them that managed to create excellent results. This particular technique of mural painting involved using water to merge paint pigments and the plaster itself, and there are some truly beautiful examples of art from the ancient world created in this way.</span>
Answer:
D.)synonym
Fat is a synonym for stout and
wide is a synonym for broad
Explanation:
U 2 can help me by marking as brainliest.......
