<u>Which best describes the impact of the narration in the excerpt?</u>
<em>It allows the reader to understand the thoughts of a man preparing for death. </em>
The literary device of stream of consciousness is used in this excerpt to create tension and prepare the reader for a difficult looming moment. It also invites the reader to enter the mind of the man and experience his feelings, thoughts, images, and empathize with what he is living.
<span>The lines in the excerpt from "L'Allegro" contrast with those ideas is:
</span><span>Married to immortal verse,
Such as the meeting soul may pierce
In notes with many a winding bout
Of linked sweetness long drawn out,
I hope my answer has come to your help. God bless and have a nice day ahead!
</span>
Answer:
The answer is C. The writer sequences what they did first and what they did after that.
As you read through the list, ask yourself these questions:
Were you born this behavior (biological)
Is this behavior is response to something else (stimulus)
Is this a behavior you learned how to do (learned).
For example, sat quietly in class while the teacher was talking - learned. You learned to be quiet because it was a rule that if broken, you would suffer the consequences. Another example, a car is approaching quickly as you are crossing the street. You run to get out of the way. This is stimulus because you are reacting (responsive) to the car approaching. Lastly, you cry when you see I person you love physically hurt. This is biological.
Nteresting information about the Globe Theatre Tiring House during the life and times of William Shakespeare and the Globe Theatre of Elizabethan London, England
Globe Theatre Tiring HouseThe stage wall structure contained at least three doors which lead to a leading to small structure, back stage, called the ' Tiring House '. The stage wall was covered by curtains allowing entrances from left, right and center. The actors used this area to change their attire - hence the name 'Tiring House'. The tiring house contained the dressing rooms with access to the the prop room with connecting passage and stairways. The 'Tiring House' was a hive of activity with actors changing their attire and collecting their props. Although many of the plays were performed by actors wearing Elizabethan clothes the Globe Theatre Costumes belonged to the Theatre and were both costly and sumptuous.
Globe Theatre Tiring House Prop ManThe Globe Theatre company used a 'prop man' who would be stationed in the 'Tiring House'. The Prop man would have a list of all the Globe Theatre Props which to be used in a play, what scene they were required for and which actor/ character would need them. The list was glued to a board which hung on one of the Tiring House doors.
Globe Theatre - The Lord's Rooms and the Actor's BalconyImmediately above the curtained doors of the 'Tiring House' were a row of galleries which housed the Lord's Rooms. The centre gallery, or balcony, might also be used for plays requiring such a structure - the Balcony scene from Romeo and Juliet immediately springs to mind.
Globe Theatre - The Musicians GalleryDifferent effects were gradually added to the Globe Theatre including music to accompany the performances. One of the balconies above the stage therefore housed the musicians. Composers were specially commissioned to write music and songs to accompany the works of playwrights such as William Shakespeare. The most famous Globe Theatre composer was Robert Johnson ( 1582-1633 ). Robert Johnson composed 'Full fathom five' and 'Where the Bee Sucks' which were written for the first performance of The Tempest by William Shakespeare. The musicians playing in the Musician's Balcony were usually hidden from view behind closed curtains.
Globe Theatre - The HutAbove these galleries was a small house-like structure called the 'hut' complete with a roof. The 'hut' was used as a covered storage space for the Globe acting troupe. The 'Hut' could be accessed directly from the connecting passage and stairways from the 'Tiring House'.
