Answer: As this is an opinion, I will say Macbeth.
Explanation:
Macbeth proves to be more evil than Lady Macbeth.
1. While she plays a very devious role as inspiring him to commit the deeds of murder, in the final analysis, Macbeth is the one to commit these acts.
2. While Lady Macbeth does display some level of regret, guilt, or remorse about her actions, Macbeth plunges into a deeper moral abyss with his actions and the depravity they represent. Both characters can fit the label of being evil with their actions and thoughts, Lady Macbeth still had the ability of compassion or even empathy that Macbeth did not possess.
1. Abnegation are chosen to be the political leaders of society because they are the most selfless of the factions, and therefore it is thought that they will do what's best for the good of the people and will not be corrupted with power.
2. Jeanine Matthews is the sole representative of Erudite, and Beatrice's father has a dislike for her because she released a report attacking his political partner, Marcus. I believe his actions are not warranted because there is evidence supporting that what Jeanine claims Marcus did to his son, Tobias, is in fact true. However, Beatrice's father does not believe that Marcus is capable of being cruel because of his faction.
Answer:
1- melodious
2- beautiful
Explanation:
The words that best describe the rhythm of the poem "Annabel Lee" by Edgar Allan Poe are melodious and beautiful. First, it is melodious because it combines patterns of stressed and unstressed syllables in the lines that create the beat and pace of the poem. Besides, there are alliteration of the sounds /l/, /m/ and /b/ and repetition of the words "sea" and "Annabel Lee", which contributes to rhythm and creates a serious and thoughtful tone. Second, the rhythm is beautiful as a result of this tone of sadness and melancholy. According to Edgar Allan Poe, beauty is associated with sadness and loss. In this particular case, beauty is associated with the death of a woman, which is expressed through the use of a reflective tone created by the rhythm of the poem.
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