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mina [271]
3 years ago
5

Isolation is a major theme in Franz Kafka's The Metamorphosis. Which of these excerpts best reflect Gregor's isolated condition

after his transformation?
He got into the habit of closely watching it for one or two hours before it was opened and then, lying in the darkness of his room where he could not be seen from the living room, he could watch the family in the light of the dinner table and listen to their conversation—with everyone's permission, in a way, and thus quite differently from before.

…

All of them were usually very quiet nowadays. Soon after dinner, his father would go to sleep in his chair; his mother and sister would urge each other to be quiet; his mother, bent deeply under the lamp, would sew fancy underwear for a fashion shop; his sister, who had taken a sales job, learned shorthand and French in the evenings so that she might be able to get a better position later on.

…

Gregor never responded to being spoken to in that way, but just remained where he was without moving as if the door had never even been opened. If only they had told this charwoman to clean up his room every day instead of letting her disturb him for no reason whenever she felt like it!

…

The woman most likely meant to fetch the things back out again when she had time and the opportunity, or to throw everything out in one go, but what actually happened was that they were left where they landed when they had first been thrown unless Gregor made his way through the junk and moved it somewhere else.
English
1 answer:
lutik1710 [3]3 years ago
5 0
<span> I believe that the excerpt which best reflect Gregor's isolated condition after his transformation is the first one:

He got into the habit of closely watching it for one or two hours before it was opened and then, lying in the darkness of his room where he could not be seen from the living room, he could watch the family in the light of the dinner table and listen to their conversation—with everyone's permission, in a way, and thus quite differently from before.

It shows how his family were all together, his parents and his sister, enjoying their time watching TV and talking, while he was in the other room all alone, with no one to talk to. He is lonely and completely isolated after his transformation, although he used to be the same thing even before he became a bug.
</span>
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Answer:

Explanation:No Sugar is a postcolonial play written by Indigenous Australian playwright Jack Davis, set during the Great Depression, in Northam, Western Australia, Moore River Native Settlement and Perth. The play focuses on the Millimurras, an Australian Aboriginal family, and their attempts at subsistence.

The play explores the marginalisation of Aboriginal Australians in the 1920s and 1930s in Australia under the jurisdiction of a white government. The pivotal themes in the play include racism, white empowerment and superiority, Aboriginal disempowerment, the materialistic values held by the white Australians, Aboriginal dependency on their colonisers, and the value of family held by Aboriginal people.

The play was first performed by the Playhouse Company in association with the Australian Theatre Trust, for the Festival of Perth on 18 February 1985. It also was chosen as a contribution to Expo 86 in Canada[1][2] No Sugar forms the first part of a trilogy, the First Born Trilogy, which also includes the titles The Dreamers and Barungin (Smell the Wind). The trilogy was first performed by the Melbourne Theatre Company in May 1988 at the Fitzroy Town Hall.[3] The play won the 1987 Western Australian Premiers Award[4] and in 1992 the Kate Challis RAKA Award for Indigenous Playwrights.[5]

The play utilises the perambulant model, which is a technique used in drama to dislocate the audience involving multiple points of focus. Throughout No Sugar it is employed to convey a sense of displacement to the audience, representative of the isolation felt by the Aboriginal people unable and unwilling to assimilate to white culture.

Characters

Jimmy Munday, the protagonist.

Gran Munday, Jimmy's mother, a traditional Aboriginal woman.

Milly Millimurra, Jimmy's sister, who has three children.

Sam Millimurra, Milly's husband. .

Joe Millimurra, Mary's love interest and Milly's eldest son.

Cissie Millimurra, Milly's daughter.

David Millimurra - Milly's youngest son.

A. O. Neville, Chief Protector of Aborigines.

Miss Dunn, his secretary.

Mr Neal, Superintendent of Moore River Native Settlement. Abuses Indigenous people and is lecherous to Indigenous girls.

Matron Neal, his wife, Matron of the hospital.

Sister Eileen, a Catholic missionary.

Sergeant Carrol, sergeant of the Northam Police.

Constable Kerr, member of the Northam Police.

Frank Brown, an unemployed farmer who befriends Jimmy Munday.

Mary Dargurru, Joe's love interest. An outspoken girl who is mistreated by Neal, works for the Matron at the settlement.

Billy Kimberley, a Black tracker, an Aborigine working for Mr Neal.

Bluey, a Black tracker.

Topsy, Mary's subservient and submissive friend who also works for the Matron.

Justice of the Peace, a farmer who sentences Frank Brown, Jimmy and Sam for alcohol abuse.

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