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kobusy [5.1K]
3 years ago
6

Help please!!

History
1 answer:
Gennadij [26K]3 years ago
4 0

One of the many, many problems Jeb Bush faces in his quest for the Oval Office is his break from Republican orthodoxy on president Ronald Reagan's legacy. In 2012, Bush told a group of reporters that, in today's GOP, Reagan "would be criticized for doing the things that he did"— namely, working with Democrats to pass legislation. He added that Reagan would struggle to secure the GOP nomination today.

Bush was lambasted by fellow conservatives for his comments, but he had a point: If you judge him by the uncompromising small government standards of today's GOP, Reagan was a disaster. Here are a few charts that show why.

Under Reagan, the national debt almost tripled, from $907 billion in 1980 to $2.6 trillion in 1988:

Reagan ended his 1988 farewell speech<span> with the memorable line, "man is not free unless government is limited." The line is still a rallying cry for the right wing, but the speech came at the end of a long period of government expansion. Under Reagan, the federal workforce increased by about 324,000 to almost 5.3 million people. (The new hires weren't just soldiers to fight the communists, either: uniformed military personnel only accounted for 26 percent of the increase.) In 2012, the federal government employed almost a million fewer people than it did in the last year of Reagan's presidency.</span>

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Match the music characteristic with how it was treated in Twentieth Century classical.
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1.melody short phrases, large leaps

Towards the end of the past century composers  as Steve Reich La Monte Young, Philip Glass, they began to explore what is now called minimalism, in which the music is stripped down to its most fundamental features; the music often features repetition and iteration. An early example is Terry Riley's In C from 1964, perhaps a random work in which short phrases are chosen by the musicians from a set list and played an arbitrary number of times, while the note C is repeated in quavers behind them. Philip Glass works are on the most representative perhaps also featuring as soundtracks of movies.

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some pieces started to use additional markings of further emphasis. Extreme dynamic markings introduced an extreme range of loudness, or, and sometimes accompanied with very small differences of loudness within a normal range, this huge change was made possible with the orchestration of the work, usually using many loud instruments like brass and percussion playing at once. It became more widespread in late 1900s.

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