Answer:
c. The stress on know and fate emphasizes the speaker's certainty that he will die in combat.
Explanation:
William Butler Yeats wrote this poem "An Irish Airman Foresees His Death" after the death of Robert Gregory. This poem is a sort of a man accepting his fate, which he seems to be certain of.
The pilot n the poem, also the speaker is an Irishman who held no attachment for any parties of the war. He does not love the country he's fighting for, nor does he hate the enemy side. He also seems to be reconciled with the fact that he will surely die, while flying. He knows for sure that he will "meet (his) fate Somewhere among the clouds above". This shows that it emphasizes the speaker's certainty that he will die in combat. Also, there are n mention of any friends nor of any selfish feelings or self-centeredness in the speaker.
Answer:
The poem "Harlem" uses A. free verse
Explanation:
First, let's take a look at the poem "Harlem" by Langston Hughes:
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load.
<em>Or does it explode?</em>
<em />
We can clearly see there isn't much of a pattern being applied. The very fist line of the poem is much longer than the rest of it. None of the lines constitute a iambic pentameter - a five-time repetition of an unstressed syllable followed by a stressed one. Therefore, we can eliminate options B and C, according to the descriptions provided in the question.
We can safely eliminate letter D as well, since we do not have a pattern of two consecutive lines that rhyme in this poem -- note that the two last lines do rhyme and are consecutive in the sense that there isn't another line between them; still, they do not belong to the same stanza and are not related enough to be considered a couplet.
<u>The only option left, and the correct one is A. free verse. Even though there are a few rhymes taking place in "Harlem" (sun/run, meat/sweet, load/explode), they do not follow a consistent pattern. Mostly, they are intercalated with lines that do not rhyme at all (up, sore, over, and sags). There is no concern for metrics either, each line having a different number of syllables.</u>
I believe that that answer would be C.
Young, childish, and little.