The main character who is also the protagonist is known as a hero. A villain is an antagonist and an influential character.
When a Hero fights a Villain, both the interpersonal relationship between the Main Character and the Influence Character and the functional relationship of the Protagonist/Antagonist conflict for dominance in the plot take place between the same two characters at the same time. Working with heroes and villains essentially merges these two relationships into one. Because they frequently are unsure which of the two relationships is being depicted by a certain moment between the two characters, an audience is frequently confused by this.
Furthermore, if anything happens in one of the two, its dramatic momentum might divert attention from a gap in the other, making it simple for an author to leave gaps in either type of interaction. In fact, the audience's acceptance of the style that there will be gaps in both relationships is the cornerstone of a melodrama. These gaps must be acceptable as long as the combined momentum of both relationships moves the story along to the next point in either.
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Answer:
The correct answer would be B.
Explanation:
I know the correct answer would be B because all the other ones look like something you would say in a casual conversation (except for C maybe) but when you look at B it seems like something you would see on an advertisement for scarves on a website.
Here is the answer to the given question above. The clues in the story hint at Freeman's identity are the following: they had to change who they were in order not to get caught by their master. This is based on line 61-62 which states, “There, Caesar that it would help if you all change your names and appearance <span>as much as possible since master Selby was sure to post your description.”</span>