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Nikolay [14]
3 years ago
10

You originally draw a design for an art contest on a 4 in. x 5 in. card. The second phase of the contest requires the drawing to

be transferred to an 8.5 in x 11 in. standard sheet of paper and utilize as much of the space on the paper as possible. You determine that the largest size one of the dimensions of your drawing can be is 10.5 in. What is the length of the other dimension if the two drawings are similar?
Mathematics
1 answer:
Nutka1998 [239]3 years ago
6 0
 as we know that <span>If the 4" side of the card was scaled up to 10.5
 then the scaling factor is 10.5/4 = 2.625. 
The 5 side would  be the length 5 x 2.625 = 13.125 which exceeds the maximum dimension of 11. 

Thus, it is the 5 side which is scaled up to 10.5 and the scaling factor is therefore 10.5/5 = 2.1. 
The scaled up length of the 4 side is thus 4 x 2.1 = 8.4.</span>
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Answer an essay on nothing

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In philosophy there is a lot of emphasis on what exists. We call this ontology, which means, the study of being. What is less often examined is what does not exist.

It is understandable that we focus on what exists, as its effects are perhaps more visible. However, gaps or non-existence can also quite clearly have an impact on us in a number of ways. After all, death, often dreaded and feared, is merely the lack of existence in this world (unless you believe in ghosts). We are affected also by living people who are not there, objects that are not in our lives, and knowledge we never grasp.

Upon further contemplation, this seems quite odd and raises many questions. How can things that do not exist have such bearing upon our lives? Does nothing have a type of existence all of its own? And how do we start our inquiry into things we can’t interact with directly because they’re not there? When one opens a box, and exclaims “There is nothing inside it!”, is that different from a real emptiness or nothingness? Why is nothingness such a hard concept for philosophy to conceptualize?

Let us delve into our proposed box, and think inside it a little. When someone opens an empty box, they do not literally find it devoid of any sort of being at all, since there is still air, light, and possibly dust present. So the box is not truly empty. Rather, the word ‘empty’ here is used in conjunction with a prior assumption. Boxes were meant to hold things, not to just exist on their own. Inside they might have a present; an old family relic; a pizza; or maybe even another box. Since boxes have this purpose of containing things ascribed to them, there is always an expectation there will be something in a box. Therefore, this situation of nothingness arises from our expectations, or from our being accustomed. The same is true of statements such as “There is no one on this chair.” But if someone said, “There is no one on this blender”, they might get some odd looks. This is because a chair is understood as something that holds people, whereas a blender most likely not.

The same effect of expectation and corresponding absence arises with death. We do not often mourn people we only might have met; but we do mourn those we have known. This pain stems from expecting a presence and having none. Even people who have not experienced the presence of someone themselves can still feel their absence due to an expectation being confounded. Children who lose one or both of their parents early in life often feel that lack of being through the influence of the culturally usual idea of a family. Just as we have cultural notions about the box or chair, there is a standard idea of a nuclear family, containing two parents, and an absence can be noted even by those who have never known their parents.

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