Answer:
C
Explanation:
Greek Myths doesn't show us how to be heroic, or how people can act foolishly. Although Greek Myths, as many other myths from the different mythologies, teach us about certain nuances of the humanity, this paragraph talks about how Greek Myths tell us about how Greeks perceived the idea of being Greeks, what it meant to be Greek, the values of Greek people and their ideals.
Answer:
In the radio play of Dark They Were, and Golden-Eyed, in what ways does the restructuring of description and dialogue from the original text
Explanation:
The correct placement of the given summary is as follows:
- Some submarines are used for oceanic exploration.
- Submarines either rise or submerge by displacing water.
- Sometimes, submarines can be seen from an aeroplane.
- Certain submarines have a special chamber for divers.
- Most submarines are created solely for military purposes.
- All submarines must be sure not to descend too far underwater.
<h3>What is a Summary?</h3>
This refers to the concise representation of the main points of a story, in an objective manner.
Hence, we can see that from the complete text, there is the narration about submarines and their various uses which can be for oceanic exploration, military purposes, etc.
Read more about summary here:
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The appropriate responses are options 1, 2, 3, and 5.
Explanation:
Between World Wars I and II, American modernist literature predominated in the country's literary landscape. The modernist era focused on innovation in poetry and prose's structure and language, as well as writing on current issues including racial inequality, gender, and the human condition.
Many American modernist authors who were influenced by the First World Combat investigated the psychological wounds and spiritual scars of the war experience. The Grapes of Wrath by John Steinbeck, which was published in the early 1930s, is one example of how the American economic crisis affected literature. As employees became invisible in the backdrop of city life, unnoticed cogs in a machine that ached for self-definition, a linked concern is the loss of self and the yearning for self-definition. The mid-nineteenth-century emphasis on "creating a self"—a concept exemplified by Fitzgerald's The Great Gatsby—was mirrored by American modernists. As seen by The Emperor Jones by Eugene O'Neill, The Battler by Ernest Hemingway, and That Evening Sun by William Faulkner, madness and its manifestations appear to be another popular modernist topic.
But despite all these drawbacks, real people and the fictitious characters of American modernist literature both sought new beginnings and had new hopes and goals.