Answer:
Leyster used tenebrism for added drama.
Picasso showed a single figure from multiple views for added drama.
Explanation:
- Cubism is preoccupied with the problem of the "object" that needs to be reconstructed, as opposed to the vagueness and impermanence of the Impressionist surface.
- Everything that relies on subjectivity or a particular and firm view must be eliminated in order to arrive at an overall, conceptual, complete variant of form ("If the senses deform, only the spirit forms").
- Picasso's statement: "I paint objects as I imagine them, not how I see them," supports this thesis. In Cubism, the influence of African art is also present, and the basis is the cube. The Cubists in the picture show simultaneously (at the same time) what we can really only see in succession (in the sequence of time, consecutively).
- Dutch Golden Age painter Judith Leyster often depicts middle-class Dutch people in work and in leisure in her paintings.
Answer:
<u>Glass crafts</u> involves light in a way that differs from nearly all other works of art.
Comedy you could laugh and have the most laugahble time of your life, drama is basically when things that you don't what to happen to yourself because its to hard to deal with
Nathalie Djurberg contrasts the medium of <u>stop-motion animation</u>, often used for children's movies, with violent subject matter.
Given that Nathalie Djurberg is a contemporary artist known for extravagant and rather quirky art, she found her inspiration in these kinds of oxymorons, or bringing together parts that are often mutually exclusive. So she used something that is usually associated with something aimed towards children to show more violent and mature themes.
