It intensifies the conflict.
A complication adds to the problem of the story. The stories problem is the conflict. Many times there is more than one complication. When labeling a plot line for a story, the complications can be found in the rising action. This takes place between the exposition and the climax. The exposition of a story introduces the characters, setting, and conflict. The climax is the pivotal point in the conflict. The character can never return to the way things were when the story started out. Something or someone has been irrevocably changed.
Check the following:
- Napoleon does not listen to Snowball’s ideas
- Napoleon says that the improvements will never happen
- Napoleon seems to be waiting for Snowball’s plans to fail
EXPLANATION:
Napoleon is waiting for his opportunity to take the farm away from Snowball and run it himself. It’s shown later that the puppies Napoleon took away to tear himself grew up to become rabid dogs, hungry for Snowball’s blood. Napoleon had a plan all along, and he was just waiting for the right opportunity.
Answer:
they are after him to get the lightening bolt they think he has.
Explanation:
One hundred seven thirteen and forty nine hundreds
Answer:
In the poem, the speaker seems to be discussing a pleasant date, as if oblivious to the fact that this is a journey to death. The tone of the poem seems light and perhaps even dismissive of all the scenes passing by, as though these cornerstones of life were not terribly significant. However, the underlying mood of the poem is somewhat sad because the speaker is describing a world she’s leaving behind. This difference between the descriptions of the outing and of dying creates some dramatic irony. The speaker sees but doesn’t really see the world of the living because she’s already dead.
Explanation:
This is the exact from Edmentum so make sure to change it up a little.
