An example of a very effective villain who stands against the protagonists is Count Olaf from the book series <em>A Series of Unfortunate Events</em>. This series follows the life of the Baudelaire orphans. After both their parents die in a fire, they are sent to their new guardian, a man named Count Olaf. However, Olaf has no interest in caring for them. In fact, he only wants to take advantage of them in order to get their fortune.
The reason why Count Olaf is a good villain is because he contrasts the heroes in several ways. For example, while the heroes care about their family and friends deeply, Count Olaf is selfish and only cares about himself. This is demonstrated by the fact that Count Olaf does not have friends. He only has henchmen. Another reason is the fact that Count Olaf cares a lot about money, while money is not an important concern to the orphan children. Finally, Count Olaf is willing to commit terrible crimes and deeds in order to achieve what he wants, while the children are moral and responsible.
In conclusion, Count Olaf is a remarkable villain because he contrasts with the heroes, who are the Baudelaire orphans. Some of the ways in which he does so is by caring about himself and money more than he cares about anything else, as well as having very loose morals.
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A.
Explanation:
Frederick Douglass sits in the pantheon of Black history figures: Born into not only for his searing testimony
He serenades her with a guitar and also bought her a barrel organ.
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Explanation:
Summary:
In “The Piece of String,” the story would be very different if told from
the point of view of the farm hand who actually found the wallet. He
would most likely be shocked and concerned that the old man was taking
such grief for something he did not do. It also would have changed the
end of the story.
This is More Detailed:
Maitre Malandain probably does not truly believe that Maitre Hauchcorne has stolen the wallet, but having "the tendency to hold grudges," he takes advantage of an opportunity to deal misery to his foe.
Just as Saki satirized those of the Edwardian Age in England, Guy de Maupassant mocked the pettiness of the peasantry of Normandy, a province in northwestern France. In the exposition of his story, Maupassant describes the Norman women in the market who stubbornly held to their prices in the market and would only relent when a customer began to walk away. Then, they would shout after him or her, "All right...It's yours."
It is this same obstinate and petty...
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This is simply known as a classic.