Answer:
Just as the Romans were often known as Greek imitators, the artists of the Renaissance took a big interest in ancient Greek and Roman art. Therefore, the Renaissance came to be known as an era of revival, one in which the influence of Greek and Roman art was seen in both art and architecture. Pieces such as the Palazzo Rucellai, David, and Birth of Venus are all noted for being composed of both Greek and Roman elements and styles.
The Renaissance is known as the “rebirth” or “revival” of Greek and Roman styles and conventions. Such Greek and Roman influences are well noted in the Italian-made pieces such as The Palazzo Rucellai, which can be compared to the Colosseum, David, which can be compared to the Kritios Boy, and The Birth of Venus, which can be compared to the Aphrodite of Menophantos. It is this revival that is credited with helping European artists and architects depart from Gothic styles, among others, while bringing back notorious Greek and Roman ones.
Hope that helped :)) Tell me if I got something incorrect
Answer:
diseases need to be cured, while illnesses can be treated.
Explanation:
1.What is the Vitruvian Man? Describe this piece of art, including who the artist was and why this artwork is important.Vitruvio, which is translated to "The proportions of the human body according to Vitruvius"2. What is sfumato? What effect does it have in a painting?the technique of allowing tones and colors to shade gradually into one another, producing softened outlines or hazy forms.3.What are the characteristics of Mannerism? How does this style compare to that of the High Renaissance?(derived from the Italian word 'maniera' meaning style or stylishness) refers to a style of painting, sculpture and (to a lesser extent) architecture, that emerged in Rome and Florence between 1510 and 1520, during the later years of the High Renaissance.4. What was the Renaissance? Describe this movement, including the dates it occurred and what the movement included. What did the movement emphasize?The term 'renaissance' is derived from the French word meaning 'rebirth'. It is used to describe this phase of European history because many of the changes
The answer is :D. They show great attention to detail and texture.
Answer:
Movie audience is worldwide, coming from various backgrounds and age ranges. Movies are available nearly everywhere, and the target audience is much broader and universal. The Theatre audience is focused on the local population and their interests and background. The target audience must be adapted for the specific play, interested in the production, and be able to afford the ticket. Play audience has more intention and is more participating in the experience.
Explanation:
Movies are distributed worldwide and in today’s world, they can be seen almost anywhere – from airplanes, over computers, to cinemas. Movies can be translated easily and there is a chance someone from across the globe will watch a certain movie. <u>The audience for movies is much broader and more global, so when making a movie the director should consider how will it be portrayed worldwide in different contexts and on different screens</u>. They can be adapted to be shown to all age groups, all language groups, and all cultures. The movie audience is also not as active as the theatre audience – the production team and the actors do not witness the reaction right away. Also, the movie stays available for a long period, and when developing it one should consider how will it be portrayed to the audience in a few years. Therefore, <u>the audience for the movie is global, broad, and more passive.</u>
Play is presented to the local audience, in one certain theatre for a short period. There are not many plays that are distributed in other countries and it is harder to translate a play. <u>So the audience for the play is the local audience and the director should consider who is living in proximity to the theatre when developing the idea.</u> The play shown in the US will have to be limited to the experience of the US audience, while the French audience will have different demands and understand different cultural contexts. Also, <u>people who go today to the theatre are considered more well-off and invested in the play</u> – you can’t just accidentally catch the play on TV, you have to intentionally buy the ticket for it. So the developing team should consider how to attract people to go and buy the tickets more easily. <u>The expensive plays will be shown to the more high-standing audience, and small, local theaters will attract a more niche audience</u>. The audience can react immediately – whether they laugh or leave the theatre affects the momentary experience of the play. Plays are shown only for a certain period, so the play should be adapted limited to the present day and age. <u>Therefore, the director must consider which theatre the play is performed in, who can watch them play, what exact message and marketing should they use. The audience for plays is usually more mature, more invested, immediately participating, and from the specific local context.</u>
