<u>Bolding verbs and underlining+bolding vague ones</u>
Anthony is taking Denise for a ride in his new car. He <u>moves</u> fast down the highway. Suddenly Denise <u>says</u>, “Look out!” A truck <u>moves</u> into their lane, right in front of them. Anthony <u>puts</u> his foot on the brake-hard. The car <u>goes</u> first to the right, then to the left. “Don’t use the brake!” Denise says. Anthony takes his foot off the brake and <u>gets</u> control of the car. “We’re safe,” Anthony <u>goes</u> to Denise.
<u>Rewrite:</u>
Anthony is taking Denise out for a ride in his new car. He drives fast down the highway. Suddenly Denise screams, “Look out!” A truck shifts into their lane, right in front of them. Anthony slams his foot on the brake; hard. The car swerves first to the right, then to the left. “Don’t use the brake!” Denise shouts. Anthony takes his foot off the brake and regains control of the car. “We’re safe,” Anthony says to Denise
Montresor lures Fortunato by telling him he has obtained a pipe of Amontillado sherry. He mentions obtaining confirmation of the pipe's contents by inviting a fellow wine aficionado, Luchesi, for a private tasting. Not one to be made better of, Fortunato goes with Montresor to the wine cellars of the latter's house, where they wander in the catacombs. Montresor keeps giving Fortunato drinks to keep him drunk, finally arriving at a niche, where Montresor tells his friend that the Amontillado is within. Fortunato enters drunk and unsuspecting, allowing Montresor to chain him to the wall.
Montresor then proceeds to wall up the niche, entombing his friend alive. Fortunato sobers up faster than anticipated, though, and pleads with Montresor. Montresor ignores him and continues, eventually walling him in completely.
Notably though, in the story, Fortunato actually comes to the realization that this is actually what Montresor wants. Montresor doesn't want to murder Fortunato as much as he wants the psychological satisfaction of seeing and hearing him squirm as it dawns on him that he is going to die a slow death and he was so easily tricked into walking into this situation, and mocking him for it. In a final act of defiance, Fortunato refuses to play along at the end, and replaces his panic with cold silence. This silence catches Montresor off-balance, and its evident from narration that he was very confused and annoyed at being robbed of the chance to gloat properly, and even begins to feel "sick at heart" about what he is doing, because the sudden silence gives him no recourse but to actually consider the gravity of the act he is about to carry out. And even those fifty years later, there are still clear hints of Montresor being somewhat bitter about the fact Fortunato managed to outwit him at the end by taking all the fun out of his revenge.
Hope this helps :)
<span>Neoclassical writers focus primarily on incorporating classical elements in their fiction. By classical i mean works like the Odyssey, the Iliad, and similar </span>
We is a simple subject and crept is a simple predicate in the given sentence "Soundlessly, we crept from the van for a closer look."
<h3>
What Is the Simple Subject?</h3>
We must comprehend the components of a phrase in order to comprehend what a simple subject is.
A subject and a predicate can be found in any sentence. A sentence's subject is the subject of the sentence. The portion of the sentence that has the verb is referred to as the predicate.
A noun or a noun phrase can be found in the subject, but nouns can also be found in the predicate. How then do you distinguish between them?
The subject is the noun or noun phrase that is "doing" the verb.
Let's examine a subject and predicate example. The predicate is highlighted, and the subject is in bold.
The man run to the shop.
The predicate is the word "run" and everything that comes after it. The sentence is not about predicate nouns like "shop" in this case. The subject is the man because he is the one who is running.
To learn more about the, Simple Subject visit:
brainly.com/question/1465020
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