Marquez contrasts the supernatural in the story with vivid natural details, thus conflating the supernatural and the everyday. P
elayo does not see a large difference between a natural oddity - the invasion of his house by crabs - and a supernatural one - the invasion of his house by a decrepit angel. Indeed, when Pelayo and Elisenda build their mansion, they secure it from crabs and angels alike, thus treating both as equal nuisances. Moreover, the angel's wings are described in gross, vivid detail, and when he first appears they are crippled by mud. He is described in one place as a senile vulture, in another as a 'huge decrepit hen among the fascinated chickens', and in paragraph four the crowds treat him as a 'circus animal instead of a supernatural creature.' These comments serve to blur the distinction between the natural and supernatural. Garcia Maquez may be suggesting that such a distinction is unnecessary, or that the people are simply blind to it. Whether it is a failure to impose the boundary or ignore it is a matter of interpretation - and the story, ultimately, invites interpretation more than it invites meaning. This is an excerpt about ______________.
This is an excerpt about the story titled "A Very Old Man With Enormous Wings"
Explanation:
The author of "A Very Old Man With Enormous Wings" is Garcia Marquez. His story contains two supernatural creatures which makes the story distinct. In the story, two extraordinary occurences are seen- a man with wings and the girl who has been changed to a spider.
'Epitaph on a Tyrant', like many of Auden's poems of the 1930s, was inspired by the appalling events of that decade, but it also neatly encapsulates the qualities and behaviour of all tyrants, from Herod to Henry VIII to Hitler.
It would be the girls’ dogs since there are multiple owners of the dogs. You keep the girls plural and use the apostrophe at the end to make it girls’ since it is both plural and possessive.
