Answer:
The Byzantine style introduced Abstraction into the history of Art.
Explanation:
Answer: Applebaum takes the role of an innovative composer since his works are a mixture of cut pieces and layers of sheet music.
Explanation: The composer Mark Applebaum is not a traditional composer. His main role is to create a compositional technique that consists of cutting certain parts of music already written, and then putting them on top of another series of notes, so that he has a result of layered sounds, to finally write the new score and have an excentric and mysterious outcoming tone.
Answer:
because the inside of a glue container is made of plastic and the glue is made to stick to paper therefore it wont stick. and the glue is a wet substance so it cannot dry out to the casing unless the cap is left open. Also, liquid glue is to thick too dry to the bottle
Explanation:
Answer:
Explanation:
Leonardo’s fascination with anatomical studies reveals a prevailing artistic interest of the time. In his own treatise Della pittura (1435; “On Painting”), theorist Leon Battista Alberti urged painters to construct the human figure as it exists in nature, supported by the skeleton and musculature, and only then clothed in skin. Although the date of Leonardo’s initial involvement with anatomical study is not known, it is sound to speculate that his anatomical interest was sparked during his apprenticeship in Verrocchio’s workshop, either in response to his master’s interest or to that of Verrocchio’s neighbor Pollaiuolo, who was renowned for his fascination with the workings of the human body. It cannot be determined exactly when Leonardo began to perform dissections, but it might have been several years after he first moved to Milan, at the time a centre of medical investigation. His study of anatomy, originally pursued for his training as an artist, had grown by the 1490s into an independent area of research. As his sharp eye uncovered the structure of the human body, Leonardo became fascinated by the figura istrumentale dell’ omo (“man’s instrumental figure”), and he sought to comprehend its physical working as a creation of nature. Over the following two decades, he did practical work in anatomy on the dissection table in Milan, then at hospitals in Florence and Rome, and in Pavia, where he collaborated with the physician-anatomist Marcantonio della Torre. By his own count Leonardo dissected 30 corpses in his lifetime.
