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Mariana [72]
3 years ago
6

How will you establish the setting for your adaptation? What will be the first shot that you open with?

English
1 answer:
Igoryamba3 years ago
7 0

Answer :To assess Baz Luhrmann's use of setting in his film, Romeo + Juliet, we can begin ... light, such as lamps and torches, to help create a sense of atmosphere and setting. ... These opening shots of a city divided by violence

4. But just to think: oh wow, you can put your tools on the same table with that ... Despite all this (and if you still want to be rash) find an old play – preferably one first ... For that to work, a playwright would need to fastidiously avoid any use of the ...

5. Charlie wants to be faithful to the book in his adaptation, but despite Laroche ... The movie also shows Susan Orlean as she does her research for the book,

6. 3 days ago - In narrative writing - 18052312. ... The enemy within a short story, novel, or movie. 2 ... Log in or create an account to stay incognito. ... How will you establish the setting for your adaptation? ... Which characters do you think you'll … use in your adaptation? ... What will the pacing of your adaptation

7. As a result, Shakespeare and the playing companies he worked with did not distribute scripts of his plays, for fear that the plays would be stolen.

8.  These DGA-approved storyboard examples compiled from beloved movies, ... Movie Story board Examples. 1. Alien. Scene: Infirmary Scene ... Multiple slides (or cells) for can be used for a single shot, especially if you plan to linger a bit. ... Filmmaking is all about maximizing your creative output, and story ...

Explanation:

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It could be synthetic but people do not speak the same language here. I guess thats the modern english? Well thats all i have to say, I didn't really understand thou
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**100 points to brianliest****
Shalnov [3]

Answer:

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“The Black Cat” follows the narrator’s descent into madness after he proclaims his sanity in the tale’s opening paragraph. Even the narrator acknowledges the “wild” nature of the tale, attempting thereby to separate his mental condition from the events of the plot. The nature of the narrator’s madness differs from that of the narrator of “The Tell-Tale Heart.” “The Black Cat” does not concern itself only with the self-contained nature of the narrator’s mind. Rather, the narrator confesses an alcoholism that interferes with his grasp on reality and produces mood swings. Alcohol is, like the cat, an external agent that intrudes on the dynamics of the plot. The introduction of alcohol as a plot device is also significant because Edgar Allan Poe was an reputedly uncontrollable drunk throughout his lifetime. For many years, his biographers asserted that he died of alcohol poisoning in a gutter in Baltimore. More recent biographies insist that the exact cause of Poe’s death cannot be determined. Regardless, it is certain that Poe suffered from the deleterious effects of alcohol consumption throughout his life.

One of the fantastic elements in “The Black Cat” is the existence of the second cat—with the changing shape of its white fur and its appearance on the corpse behind the wall. These plot twists challenge reality, but they do not completely substitute a supernatural explanation for a logical one. It is possible that the plot twists derive only from the insanity of the narrator. As a result, the plot twists, like the fantastic, hover between the real and the supernatural. The resolution of the story is both rationally possible and tremendously unlikely; the cat could inhabit the basement walls, but it is difficult to believe that it would remain silently in the wall for a long time or go unnoticed by the overly meticulous narrator.

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Hawthorne reminds the reader of the dubious history of Salem Village and the legacy of the Puritans and emphasizes the historical roots of Goodman Brown’s fascination with the devil and the dark side.

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