Answer:
Dialogue between friends on Sustainable Development
A: Hello! How are you?
B: Very well. I am on my way to attend a seminar on ‘Sustainable development’ at the Institute.
A: Oh… What is sustainable development?
B: In a nut shell it may be described as economic development that is achieved without depleting the resources of nature.
A: That makes sense.
B: Another way of putting it is; using only what is required for sustenance.
A: Yes, there is abuse of resources these days. Over-production, over-consumption, just to name two.
B: I must go now or I will be late.
A: Okay, see you later.
Explanation:
I hope this will help you buddy
Answer:
False
Explanation:
He created the Gas absorption and Einstein refrigerator
Answer:
C. wars with neighboring kingdoms designed to consolidate Han power.
Explanation:
The Han dynasty was a period between 206BC to 220AD. The expansion of China during the Hans dynasty was as a result of series of military campaigns and cultural assimilation. The expansion stated during the Qin dynasty but reached its peak during the Han dynasty.
As students of history in the 21st century, we have many comprehensive resources pertaining to the First World War that are readily available for study purposes. The origin of these primary, secondary and fictional sources affect the credibility, perspective and factual information resulting in varying strengths and weaknesses of these sources. These sources include propaganda, photographs, newspapers, journals, books, magazine articles and letters. These compilations allow individuals to better understand the facts, feeling and context of the home front and battlefield of World War One.
Autobiographies, diaries, letters, official records, photographs and poems are examples of primary sources from World War One. The two primary sources…show more content…
Wilfred Owen asks where are the “…passing-bells for these who die as cattle?” The author of “Anthem for Doomed Youth” leads his reader through his personal struggle and frustration of war. Owen has an abrasive approach when describing the death all around him and clearly expresses his anger with the “hasty orisons” for the dead. He speaks directly of battlefront in the first octet and then includes the home front in the second half of his sonnet. Owen’s purpose is not a commemoration of fallen soldiers. Rather, he divulges the disgust and disappointment of war. Like McCrae, Wilfred Owen paints a picture of the multitude of deaths. Back at the home front, “…each slow dusk a drawing-down of blinds.” We can construe that the author is not simply talking about preparing for bed in the evening, but rather lowering the blinds in a room where yet another dead soldier lies, as an indication to the community and out of respect for the soldier. There is a lack of “passing-bells for these who die as cattle….no prayers nor bells; Nor any voice of mourning save the choirs.” Owen writes as though he feels that there is indifference among the death of his fellow soldiers. The poem, “In Flanders Fields,” is impregnated with imagery. “This poem was literally born of fire and blood during the hottest phase of the second battle of Ypres.” John McCrae had just lost his very close
