Thornton Wilder's who is our Town incorporates unusual theatrical devices which are for creating a play which was radical in comparison to temperance plays of the time and the melodramas. The uniqueness on the narration of our Town uses asides to directly connect with the audience and to break the fourth wall.
The design set is so minimal such that it requires the audience to imagine the settings and props. Play breaks away from demands participation of the audience and from restrictions of realism. The whole of the play Wilder builds a theme of universality when referencing ideas and feelings that transcend location and time.
Through the use of flashbacks, he manipulates time, which emphasizes more on ideas that human life is being fleeting. He represents large numbers and presents town which is far away perspective to illustrate the idea such that human life is important in the context of the universe.
She doesn't want him to know
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"Without guests in the building, caretakers are getting creative in how they provide enrichment to animals," the aquarium said in a statement.
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In this passage, Whitman is celebrating how the death and life of his self and his body are interconnected with the natural world.
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When we die, the physical substance of the body—literally the molecules of the flesh—rot away to become once again a part of the natural world. But the same thing is true when we are living. We breathe in the molecules of the air, which become a part of us, even as they began as a part of other things. "Song of Myself" is all about these kinds of transcendent connections. Whitman is celebrating his "self" ("I celebrate myself, and sing myself"), but he's doing so by acknowledging the ways his self relies on the forces and energies and bodies of the natural and human worlds around him.
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As Piggy tries to speak, hoping to remind the group of the importance of rules and rescue, Roger shoves a massive rock down the mountainside. ... But the boulder strikes Piggy, shatters the conch shell he is holding, and knocks him off the mountainside to his death on the rocks below.
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