Answer:
Johnny came back to cause trouble
Explanation:
Johnny came back to haunt France could be implied that he used to cause problems and will continue to
Hello there!
The lie that Tom told Catherine was t
hat some girl named Daisy was a Christian (Catholic to be exact) and that she would NOT forsake her partner (husband)
Good luck on your assignment and enjoy your day!
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The monster is Victor Frankenstein's creation, assembled from old body parts and strange chemicals, animated by a mysterious spark. He enters life eight feet tall and enormously strong but with the mind of a newborn.
Cooperative- Juliet agrees to consider Parris as a potential suitor at her father's party, even though she says she's not particularly ready to consider marriage.
Affectionate - The person Juliet is most affectionate with is the Nurse. They apparently tease one another, and Juliet literally hugs her when she comes back from talking to Romeo.
Sincere - When she tells her father she has not even thought of marriage, Juliet exhibits sincerity.
Mature - She is immature and impulsive most of the time after she meets Romeo, so any maturity is displayed before that. (See Sincere and Cooperative.) A case may be made that after she gets the potion from the Friar and becomes an obedient daughter (knowing she's not going to have to actually marry Parris) she is showing some maturity. When Juliet does not, for once, share her plan with the Nurse, she exhibits mature behavior.
Courageous - When Juliet takes the Friar's potion, she show courage--though she's young and may not even recognize the dangers inherent in such an implausible plan. Certainly when she buries Romeo's dagger in her breast she shows extraordinary courage and conviction.
Heroic - See Courageous.
Decisive - Choosing to marry Romeo after just a few hours' acquaintance shows decisiveness, as does her determination to carry out the Friar's plan.
Devoted - Juliet is clearly devoted to the Nurse, her father, and Romeo--though she breaks faith with all but Romeo throughout the course of the play.
