Which of the following is an example of dramatic irony?

In what did the accidental<br> meetings between those of the capulets and the Montagues result?

Molodets [167]

Like at the beginning of the book? Where the capulets and Montagues got into a street fight and the prince came and said that if this were to ever happen again they would be sentenced to death.

8 0

3 years ago

SOMEONE PLEASE HELP ME ITS DUE IN 30 MINS

Irina-Kira [14]

Answer:

sorry i cant see your question please

6 0

3 years ago

FIND THE POETIC DEVICES

Aleks [24]

Answer:

Top 10 Poetic Devices with Examples

Onomatopeia: Splash, Murmur, Bang, Fwoosh, Buzz

Alliteration: “She sells seashells by the sea-shore.”

Rhyme: Night-Bright, Skin-Grin, Frog-Log

Assonance: “The crumbling thunder of seas” (Robert Louis Stevenson); “Strips of tinfoil winking like people” (Sylvia Plath)

Consonance: Toss the glass, boss; Dawn goes down

Euphony: “So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.” (Shakespeare)

Repetition: Robert Frost’s Stopping by Woods on a Snowy Evening

“The woods are lovely dark and deep,

But I have promises to keep,

And miles to go before I sleep,

And miles to go before I sleep.”

Cacophony: “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! The frumious Bandersnatch!” (Lewis Carroll)

Rhythm: “Shall I compare thee to a summer’s day?” (Shakespeare)

Allusion:

Then leaf subsides to leaf.

So Eden sank to grief,

So dawn goes down to day.

Nothing gold can stay. (Robert Frost)Explanation:

Top 10 Poetic Devices with Examples

Onomatopeia: Splash, Murmur, Bang, Fwoosh, Buzz

Alliteration: “She sells seashells by the sea-shore.”

Rhyme: Night-Bright, Skin-Grin, Frog-Log

Assonance: “The crumbling thunder of seas” (Robert Louis Stevenson); “Strips of tinfoil winking like people” (Sylvia Plath)

Consonance: Toss the glass, boss; Dawn goes down

Euphony: “So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.” (Shakespeare)

Repetition: Robert Frost’s Stopping by Woods on a Snowy Evening

“The woods are lovely dark and deep,

But I have promises to keep,

And miles to go before I sleep,

And miles to go before I sleep.”

Cacophony: “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! The frumious Bandersnatch!” (Lewis Carroll)

Rhythm: “Shall I compare thee to a summer’s day?” (Shakespeare)

Allusion:

Then leaf subsides to leaf.

So Eden sank to grief,

So dawn goes down to day.

Nothing gold can stay. (Robert Frost)

7 0

2 years ago

Match the following terms to their definitions:

anzhelika [568]

3 allegory............".......

6 0

3 years ago

Reading the short story "Layla and Majnun" above, what is the FIRST RISING ACTION of the text?<br> +

andreyandreev [35.5K]

Answer:

THE STORY OF LAYLA AND MAJNUN

By Nizami Ganjavi (1192) also called Layla and Magnun or Leili o Majun is an epic love poem composed in 584 / 1188 by the great Persian poet Nizami Ganjavi. The poem is based on a semi historical and mystical Arabian love story about 7th century Nejdi Bedouin poet Qays ibn Al-Mulawwah and the woman he loves Layla bint Mahdi (also known as Layla al-Aamariya.) It is sometimes referred to as the “Romeo and Juliet” of Iran. Below we have the complete story in English for your enjoyment.

I.

LaylaOnce there lived among the Bedouin in Arabia a great lord, a Sayyid, who ruled over the Banu Amir. No other country flourished like his and Zephyr carried the sweet scent of his glory to the farthest horizons. Success and merit made him a Sultan of the Arabs and his wealth equalled that of Korah.

He had a kind heart for the poor and for them his purse was always open. To strangers he was a generous host and in all his enterprises he succeeded as if good luck were part of him, as the stone is part of the fruit — or so it appeared to be.

Yet, though respected like a caliph, to himself he seemed like a candle, slowly consuming itself without ever spreading quite enough light. The heart of this great man was eaten by one secret sorrow; he, who otherwise possessed everything he desired, had no son.

He had remained childless. What did glory, power and wealth mean to him, if one day they would slip from his hands, without an heir to receive them?

Was the caliph fated to wither, did the branch have to die? If the cypress tree fell, where would the pheasant build his nest?Where would he find happiness? Where shade and refuge?

He only is truly alive, who in his son’s memory survives his own death. Thus the noble man brooded and, the older he grew, the greater became his desire. Yet for many years his alms and prayers were in vain. The full moon which he so eagerly awaited never rose in his sky and the jasmin seed which he sowed would not

germinate.

Still the Sayyid was not content to bow to his fate. For the sake of one wish yet unfulfilled he thought but little of everything else that heaven had granted him. That is how humans are made!

If prayers remain unanswered, do we ever reflect that it may be for our good? We feel sure that we know our needs, yet the future is veiled from our eyes. The thread of our fate ends outside the visible world and what today we mistake for a padlock, keeping us out, we may tomorrow find to be the key that lets us in.

Much, of course, can happen in the meantime.

Explanation:

8 0

3 years ago