Answer:
Both Beige and white are neutral colours
Explanation:
Because the definition of neutral is "without colour", Hope this helps
Answer:HELP ME PLSSS!!!!
Ill give BRAINLIEST.
This is Music work
Explanation:its B if im correct from my 1 year of choir last year in 9th grade
Answer:
The following are the differences between Internet and Intranet.
<u>Explanation:
</u>
Internet:
- <em>Internet is a system of different networks that connects computers together despite of their location.
</em>
- Internet can be accessed by anyone and everyone.
- Internet is not safe as compared to Intranet as it is public, and can be used for any purpose.
- The number of users is unlimited.
- <em>The information generated is unlimited and can be used and shared by anyone and everyone.
</em>
Intranet:
- <em>Intranet is a section of the internet which is owned by an organization privately.
</em>
- Intranet can be only accessed by the people of the organization who owned it, only.
- Intranet is safe as compared to Internet as it is used within the organization.
- The number of users is limited.
- <em>The information generated by the intranet is limited and can be used and shared by the members of the organization only
.</em>
Answer: N/A
Explanation: need to show us the answer choices so we see what the things are to answer right.
Answer:
Calixte Dakpogan's Vodun heritage is intrinsic to his work. Born to a family of blacksmiths, he grew up in the Goukoumé district of Porto Novo, Benin, a district dedicated to Ogun, the god of iron. Ogun is the principal divinity worshiped by the Dakpogan family. The tradition of metalworking has been carried from father to son since their ancestor Sabgo Ayato worked as a blacksmith in the royal court of King Toffa.
Explanation:
Calixte Dakpogan's Vodun heritage is intrinsic to his work. Born to a family of blacksmiths, he grew up in the Goukoumé district of Porto Novo, Benin, a district dedicated to Ogun, the god of iron. Ogun is the principal divinity worshiped by the Dakpogan family. The tradition of metalworking has been carried from father to son since their ancestor Sabgo Ayato worked as a blacksmith in the royal court of King Toffa.
The abundance of car wreckages in Porto Novo has provided Calixte Dakpogan with an inexhaustible source of materials. He began to use scavenged car parts to create standing figures, following directly in the tradition of Fon statues made from scrap iron in the early nineteenth century. In 1992, he was commissioned to create a series 100 of these works for Ouidah 92: The First International Festival of Vodun Arts and Cultures. Their contribution remains on permanent display. Today, after an interval of one and a half centuries, the relationship between Fon sculptures and the work of Dakpogan transcends purely visual or technical aspects, being intimately related with the creative process.
Since 1990, Calixte has worked independently, using salvaged metallic and plastic elements to create anthropomorphic figures and masks. A gas tank becomes a body or headlights become teeth. Two formless segments become a recognizable personage. His creations, full of talent, humour, and stories, are imbued with a contemporary imagination and an astounding inventiveness
