1answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
tiny-mole [99]
3 years ago
14

Why were early rap records economical?

Arts
2 answers:
Lana71 [14]3 years ago
6 0

Answer:

B. The producers licensed the music from other sources

SCORPION-xisa [38]3 years ago
4 0
B. The producers licensed the music from other sources.
You might be interested in
Consider Kensett'’s Lake George and Shen Zhou’s Autumn Colors among Streams and Mountains. Discuss each artist’s use of atmosphe
Stella [2.4K]

Answer:

In Zhou's <em>Autumn Colors</em>, atmospheric perspective is demonstrated by decreasingly dark strokes the further background elements are from the point of view. Zhou provides more line details and darkness in the foreground strokes, such as in the trees and vegetation, indicating closer proximity to the viewer. On the other hand, Kensett's work involves more realism and involves color. It has a more clearly defined vanishing point than Zhou, and atmospheric perspective is demonstrated by the decrease in saturation, detail, and contrast of the distant mountain range. Objects in the foreground are more saturated, have more detail (such as blades of grass), and are finely depicted as reflecting the light source. Zhou relies on stroke detail and intensity, while Kensett relies on color tones and a defined vanishing point to convey atmospheric perspective.

3 0
3 years ago
Who is a famous acter and actress<br> ☆♤♤☆♤♤☆♧♧♧◇
Angelina_Jolie [31]

Answer:

Johnny Depp and Dove Cameron.

Explanation:

7 0
3 years ago
50 points: What are similarities and difference between the art of Gaugin and VanGogh?
Rudik [331]
Aloha!
Before you read this, this is a bunch to read, so be ready! :)

Arles 1888: Vincent van Gogh paints sunflowers. He is obsessed with the colour yellow, seeing it as uplifting. Over and over he produces still lives of sunflowers, all in an attempt to lure Paul Gauguin into coming to Arles. Van Gogh dreams of an artistic colony, a place where artists could paint without any restrictions from bourgeois Paris, and sees Gaugin as the perfect partner.Paul Gauguin is not keen on moving in with the socially awkward and shy Van Gogh. He finally reluctantly agrees only because of a deal he makes with Theo van Gogh, Vincent’s brother. Theo would finance their entire livelihood, including Gauguin’s journey down to Arles, for an exchange of one painting per month. Gauguin goes, never with the intention of staying for a long time, though certainly not anticipating a fight that would mark one of the biggest myths of the History of Art.

Tahiti 1901: Gauguin has exiled himself to French Polynesia and now paints sunflowers himself. Vincent has been dead for 11 years, yet Gauguin cannot seem to bring himself to forget him. He mentions him over and over in his autobiography “Avant et Après”. Though he is condescending in his appraisal of van Gogh’s artistic talent, claiming that it was he who had first started experimenting with the colour yellow, there is an element of melancholy in the description of his peer. Gauguin mentions that thinking of van Gogh helps him in times of depression, as he knows no matter how much he is suffering, van Gogh suffered double.

Van Gogh and Gauguin are an odd pair in the History of Art. They share so many similarities and were still the complete opposite in character; their friendship seems one of the most ill-matched and yet most perfect in the way they stimulated each other’s creativity.

Both were self-taught, who had turned to art at a relatively late age- Vincent at the age of 27, Paul at the age of 33. Both were disgusted with Paris Bourgeois society and their taste in art and were united in their interest in the exotic and their wish to travel. They were both fascinated by Japanese prints, incorporating elements of them into their art.

Despite all this, they could not have been more different. Paul Gauguin was born into a privileged family, raised in Lima, Peru, by a wealthy uncle and having travelled the world as a young man due to his joining the Navy. He had been a very successful stockbroker before becoming an artist, was married and had 5 children. The exchange from a settled bourgeois life for a bohemian artistic one had been deliberate.

Vincent van Gogh, on the other hand, had been born into a deeply religious Dutch family, perhaps not poor, but certainly not as well off as Gauguin’s family. Just like Gauguin, van Gogh worked in other professions first, first as a bookseller, then as a pastor. However, he had never been successful with either.

Character wise, Paul Gauguin seemed to be the funny, charismatic, aggressive and masculine one, whom the ladies adored and who had no problems finding models to paint. Van Gogh was the odd one, shy, direct, a mixture between socially awkward and extremely stubborn. It had happened more than once that van Gogh had lost an employment or been asked to leave a place because he made its inhabitants uncomfortable.

Artistically, though interested in similar things, they were always at odds with one another. While van Gogh loved painting out of doors and capturing the light, taking landscape artists like Jean-François Millet as his role model, Gauguin preferred painting from memory and inside his studio, twisting his works into what he wanted them to be, and adoring the straight lines of Jean-Dominique Ingres and being fascinated by Raffael. Their mutual stubbornness and unwillingness to compromise made it very difficult to find common grounds. Accounts remain from both sides telling in detail about the arguments they were having, the most famous being the last one on the night of 23 December 1888, which caused Vincent to slice his ear off and Paul to hastily get back to Paris

 Adios! :)

7 0
3 years ago
Read 2 more answers
Another name for color
Ulleksa [173]

Pigment Hope this helps mark me brainliest

7 0
3 years ago
Which term involves an analysis of the proportion of the width and height of the screen used when you develop a storyboard for f
tiny-mole [99]

Answer:

B.

Explanation:

An aspect ratio can be defined as a ratio of width and height of the screen or image. An aspect ratio consists of two numbers or digits separated by a colon. The first digit of the ratio signify width of the image and second digit denotes height of the image.

If an aspect ratio is written as 2.35:1 then it means the width of the image is 2.35 times larger than the height. Or aspect ratio can be written simple as 16:9.

Therefore, option B is correct.

6 0
3 years ago
Other questions:
  • Internationally celebrated artist Berthe Morisot died of pneumonia at the age of 54. The fact that her death certificate recorde
    13·1 answer
  • What does the term relative unity mean in design ?
    8·2 answers
  • The accumulation of knowledge and technology that developed during the "Dark Ages" culminated in the
    14·2 answers
  • Take a look at this thesaurus entry. resist (v.) Definition: to attempt to counter the actions or effects of Synonyms: defy, fig
    13·1 answer
  • ____________ is a printmaking technique from the beginning of the 18th Century used for the reproduction of red or brown chalk d
    12·1 answer
  • Consider the geometric motif and the use of calligraphy (the word) as art. How does the use of the word as art differ in creatin
    9·1 answer
  • Hue is?
    9·1 answer
  • Describe the
    5·2 answers
  • Which question would be asked in an expressive theory about a work of art?.
    9·1 answer
  • The plant used by ancient Egyptians to make paper could also be used to make ___________.
    10·2 answers
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!